Authentic voices. Remarkable stories. AOL On Originals showcase the passions that make the world a more interesting place.
Connected features the personal stories of six New Yorkers woven together into one of the most intimate series ever. This groundbreaking show changes the nature of storytelling by giving each character a camera to document their lives. The result is a unique format revealing as different as everyone appears to be, we are all universally Connected.
Wake up to your world in 2 minutes.
Jews and Money. Asian Drivers. Polish IQ. CPT… that's racist! But where do these stereotypes come from? Comedian Mike Epps explores the backstories of this humor and how history and fact often distorts into a snide – but sometimes funny – shorthand.
"INSPIRED" features celebrities, visionaries and some of the biggest newsmakers of our generation, recounting the stories behind their biggest, life-changing moments of inspiration.
In a compelling series of verite encounters, Win Win provides unique access into the minds and lives of the world’s most-celebrated entrepreneurs and athletes.
Explore what it means to be human as we rush head first into the future through the eyes, creativity, and mind of Tiffany Shlain, acclaimed filmmaker and speaker, founder of The Webby Awards, mother, constant pusher of boundaries and one of Newsweek’s “women shaping the 21st Century.”
Nicole Richie brings her unfiltered sense of humor and unique perspective to life in a new series based on her irreverent twitter feed. The show follows the outspoken celebrity as she shares her perspective on style, parenting, relationships and her journey to adulthood.
Comedy is hard, but teaching comedy to children is hilariously difficult. Kevin Nealon is giving the challenge to some world-famous comedians. As these young minds meet with comedy’s best, get ready to learn some valuable comedy lessons, and to laugh!
James Franco loves movies. He loves watching them, acting in them, directing them, and even writing them. And now, he’s going to take some of his favorite movie scenes from the most famous films of all time, and re-imagine them in ways that only James can.
The story of punk rock singer Laura Jane Grace of Against Me! who came out as a woman in 2012, and other members of the trans community whose experiences are woefully underrepresented and misunderstood in the media.
Executive produced by Zoe Saldana (who will be the subject of one episode), a celebrity travels back to their hometown to pay tribute to the one person from their past (before they were famous) who helped change their life by giving them an over-the-top, heart-felt surprise.
Enter the graceful but competitive world of ballet through the eyes of executive producer, Sarah Jessica Parker. This behind-the-scenes docudrama reveals what it takes to perform on the ultimate stage, the New York City Ballet. Catch NYCB on stage at Lincoln Center.
Park Bench is a new kind of "talking show" straight from the mind of born and bred New Yorker and host, Steve Buscemi.
Watch and learn about the advantages of going to a school such as the Montreal School for the Performing Arts.
Tags:Why Go to an Acting School,watchmojo,acting,acting school,training to be an actor
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Chantria Tram: Why would someone come to this sort of training facility rather than going rather than going to a university or college setting?
Josa Maule: Well, the difference between studying for three years, I will get -- first of all, in this business there is no guarantees, okay. The benefit if you are at -- if you are here, you can still be doing whatever else, you know. You can still be doing acting as a serious hobby. You can still do plays. You can still participate in movies or audition for films. You do not have to give up your life for three years. You can still pursue something else other than acting, okay because we all know you do not make money, so you better would not to be a waitress or a bartender or something flexible, I mean not necessarily true but you know at least be able to have something that that is going to pay the bills until you know whatever. I do not hold the crystal balls so I cannot tell you. But -- so at least when you are on a private workshop such as what we are, okay, you have the opportunity of pursuing other things. When you are in a three year university or a CJOB program, not that they are not good, okay, I think education is education completely. But you are spending three years and there is no promises and guarantees when you finish, you know. There is the opportunity that you are looked at more. Agents maybe interested but not necessary to keep you up, you know. And I have trained people that have completed a three year program and I have auditioned people that have completed a three year program and they are no different than people who have taken privately workshops such as my self and other workshops that are out there.
Chantria Tram: So, you say it is more of the investment of the participant in whatever they doing?
Josa Maule: Absolutely!
Chantria Tram: Training.
Josa Maule: Absolutely, you know some people go into film school and music and so on and so forth and they do not realize the work and the dedication that is required. You know, if you are a member of the show Fame, which takes part of the New York Film not the New York Dramatic and I would probably will be sued by alumni, American Academy of Dramatic Arts. First of all, you know in the beginning of the movie or the beginning of the film is like dancing is the hardest thing, music is the hardest thing, acting is the hardest thing, the truth of the matter arts period id the hardest thing and you have to love it.
Chantria Tram: Definitely it is.
Josa Maule: Not just want that you have, it has to be something you eat, sleep everything.
Chantria Tram: There is nothing else for you, and I think it is it is.
Josa Maule: You know, I have a girl friend who is an artist and you know her answer, I mean like I do not agree to it a 100% but for her it was like was there anything else? For her there was nothing else, this is what she was just going to do, you know. I mean not everybody who is taking acting is going to be an actor and not everybody who wants to be, sorry, not everybody who is taking acting is going to be an actor and not everybody is taking acting to be an actor.