Authentic voices. Remarkable stories. AOL On Originals showcase the passions that make the world a more interesting place.
Go behind the scenes with some of the biggest digital celebrities to see what life is like when the blogging and tweeting stops.
The story of punk rock singer Laura Jane Grace of Against Me! who came out as a woman in 2012, and other members of the trans community whose experiences are woefully underrepresented and misunderstood in the media.
Documentary shorts conceived of and directed by famous actors. Jeff Garlin, Katie Holmes, Alia Shawkat, Judy Greer, and James Purefoy
Park Bench is a new kind of "talking show" straight from the mind of born and bred New Yorker and host, Steve Buscemi.
Digital influencer Justine Ezarik (iJustine) is back. After covering the world of wearable tech last season, iJustine is expanding her coverage this year by profiling the hottest tech trends across the country.
Enter the graceful but competitive world of ballet through the eyes of executive producer, Sarah Jessica Parker. This behind-the-scenes docudrama reveals what it takes to perform on the ultimate stage, the New York City Ballet. Catch NYCB on stage at Lincoln Center.
Nicole Richie brings her unfiltered sense of humor and unique perspective to life in a new series based on her irreverent twitter feed. The show follows the outspoken celebrity as she shares her perspective on style, parenting, relationships and her journey to adulthood.
Explore what it means to be human as we rush head first into the future through the eyes, creativity, and mind of Tiffany Shlain, acclaimed filmmaker and speaker, founder of The Webby Awards, mother, constant pusher of boundaries and one of Newsweek’s “women shaping the 21st Century.”
Gwyneth Paltrow and Tracy Anderson spend time with women who've overcome hardship, injury, and setbacks to triumph in the face of adversity.
Hank Azaria’s touching, humorous, and often enlightening journey from a man who is not even sure he wants to have kids, to a father going through the joys, trials and tribulations of being a dad.
ACTING DISRUPTIVE takes viewers inside the businesses and passion projects of Hollywood’s top celebrities.
Follow Scott Schuman, the Sartorialist, from the streets of NYC to the capitals of Europe on his quest to photograph and document the best in culture and fashion.
Tobias Buche is an up and coming young German sculpture, Lehmann Maupin, a respected Chelsea Gallery so why is Buche showing work that looks like an oversize low tech science fair project? The answer has a lot to do with the current fashion for art that tries hard not to look too good. No one is going to look at this show and call Buche a sell out to market driven art. It is like he is taking paints to make his art look underwhelming.
He takes his own snap shots along with pictures from the internet, newspapers, dust covers and albums covers and puts them on this flimsy looking supports. Any of these tape marks, pin holes and rips on the pictures as if to suggest that these are not precious art objects at all. Buche is not the only artist making this kind of deliberately low grade art. You can also see his work at the recently reopened new Museum of Contemporary Art. Where he is showing work along side Tom Burr who takes text and image and puts them on folding screens and Kelly Walker who radically degrades his images.
The creators of that show argue that the sense of permanence and solidity associated say with stone and bronze sculpture has now completely disappeared after events like the destruction of the Twin Towers and the infamous top link of Saddam Statue in Baghdad. In its spirit and its crappies esthetic, Buche sculpture also recalls Mark Wallinger’s replica of a protestor’s camp which just won him the 2007 Turner Price.
Looking like an information board at a peace camp may make this sculpture the perfect foil to slickly produced artwork. But it is so blend and low key that is this is a protest it is a pretty reluctant one. The pieces do not take a position on anything. There is more than a tinge of interested adolescent male subjects like deformity, violence, anti-social behavior and rebellion. That in the obscurity of some of these references could make this work a little self-indulgent.
But interpreted as an endlessly changeable portrait, maybe a self portrait drawn from images Buche has saved over the years. This sculpture finds it niche. It suggests that each of us carries around a pretty unglamorous collection of images, remember that Anne forgotten from which we make up our versions of reality.