Rajo begins investigating the illusive mystery of aspect ratios and just why on earth we're STILL finding black bars on our
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fancy new widescreen TVs...
Tags:The Film Lab: Aspect Ratios,14:9,16:9,4:3,Aspect Ratio,Aspect Ratio Standards,Aspect Ratios,ISO 216,Rajo Zakic,SDTV,The Film Lab,Thesubstream.com,widescreen,WXGA,hdtv,thesubstream
Thesubstream unites savvy, passionate cinema gurus with movie watchers and filmmakers by lime-lighting the genre shifting movies, the techniques that create them and their little known facts.
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