Sebastian Copeland on Sex and Photography

Well, certainly other than the obvious, which is sex always gets people’s attention. It
connects them with their own sexuality and it makes them wonder. I think it’s also––
there’s an aspect, to be calling my work sexual, perhaps if you feel that it is then that’s
terrific, and I’m pleased to find that it is. I’d rather think of it as perhaps seductive. And
the aspect of seduction and particularly as I suspect you might be referring more to the
female subjects than to the male subjects, but perhaps not. But the aspect of seduction has
to do with finding an area of breaking the wall of the separation between the camera and
the subject and trying to find a place of expression that may be touching on vulnerability,
which is a subject that I’m always intent in capturing when I shoot the celebrities in
portraiture.

And the seduction is a game that talent plays with the camera, and ultimately with the
viewing audience, which gets the attention. And it connects with our own sort of
looseness of our own emotions perhaps, and it engages people. So you know the big,
broad strokes anger engages people, but it’s not exactly appealing in camera. Seduction is
a mode that is perfectly suited for the relationship between talent and cameraman.