Authentic voices. Remarkable stories. AOL On Originals showcase the passions that make the world a more interesting place.
EMMY NOMINATED SERIES directed by and starring Steve Buscemi is back for a second season!!! Park Bench is a local's take on the special people, places, and spirit of New York City. Through unscripted moments with average New Yorkers and Steve's celeb friends, Buscemi takes viewers on a funny, first-hand journey/misadventure, told in his unique voice.
Journey to the Draft is an organic, unscripted, docu-series that follows three college football players, all with promising professional careers. These young men attend different schools across the country and play a variety of positions on the field, but at the end of the day they share one goal:to play in the NFL. The AOL docu-series follows players Leonard Williams, Kevin White and Marcus Peters.
Connected features the personal stories of six New Yorkers woven together into one of the most intimate series ever. This groundbreaking show changes the nature of storytelling by giving each character a camera to document their lives. The result is a unique format revealing as different as everyone appears to be, we are all universally Connected.
Wake up to your world in 2 minutes.
"Stricly Come Dancing presenter Tess Daly and The Saturdays' Rochelle Humes talk to mums about their experiences of being mum. Whether the daughter of a Rolling Stone, in one of the most famous girl bands the world has ever known, or a parent coping with disability as well as family life, each mother in Being Mum shows that the feelings, challenges and rewards of motherhood are universal no matter the surroundings you find yourself in."
Jews and Money. Asian Drivers. Polish IQ. CPT… that's racist! But where do these stereotypes come from? Comedian Mike Epps explores the backstories of this humor and how history and fact often distorts into a snide – but sometimes funny – shorthand.
"INSPIRED" features celebrities, visionaries and some of the biggest newsmakers of our generation, recounting the stories behind their biggest, life-changing moments of inspiration.
In a compelling series of verite encounters, Win Win provides unique access into the minds and lives of the world’s most-celebrated entrepreneurs and athletes.
Explore what it means to be human as we rush head first into the future through the eyes, creativity, and mind of Tiffany Shlain, acclaimed filmmaker and speaker, founder of The Webby Awards, mother, constant pusher of boundaries and one of Newsweek’s “women shaping the 21st Century.”
Nicole Richie brings her unfiltered sense of humor and unique perspective to life in a new series based on her irreverent twitter feed. The show follows the outspoken celebrity as she shares her perspective on style, parenting, relationships and her journey to adulthood.
Comedy is hard, but teaching comedy to children is hilariously difficult. Kevin Nealon is giving the challenge to some world-famous comedians. As these young minds meet with comedy’s best, get ready to learn some valuable comedy lessons, and to laugh!
James Franco loves movies. He loves watching them, acting in them, directing them, and even writing them. And now, he’s going to take some of his favorite movie scenes from the most famous films of all time, and re-imagine them in ways that only James can.
The story of punk rock singer Laura Jane Grace of Against Me! who came out as a woman in 2012, and other members of the trans community whose experiences are woefully underrepresented and misunderstood in the media.
How five minutes on-set can save your editor hours of grief later on. Mike and Rajo explain room tone, and the sound recorder’s ...
role in smoothing out the post-production process.
Tags:Recording Room Tones,Filmmaking Mistakes,Filmmaking Mistakes to Avoid,Filmmaking production Mistakes,Filmmaking sound issues,Room Tone Recording,film making,post production,room tone,sound recording,substream
Grab video code:
Room Tone: Anatomy of a Production Disaster What went wrong here that morning during the production of this substream first fiction short dramatic bomb, diffuse all. That question has part an investigation full of better recrimination and hateful accusations but one pair is gaining attraction. Couldn’t be that it wasn’t with someone did that during the production but instead what someone did into. Here on Anatomy of a Production Disaster will recreate the original production and investigate using the original notes, the original scripts and some cool sheets that we found. June 12, 2008, Behind the Scenes “Dramatic Bomb Defusal” Okay, camera was that good for you, okay, sound how is that? Okay let’s get some close up cut away of the leather man and me cutting the wires. Sound you can take five. Yeah, we’re just doing cut away and the leader men in the wire; we don’t need you on the set anymore Sam guy. Please take five that is where all went to shake. Michael: So, in the movie that you worked on dramatic bomb defusal, I couldn’t help but notice that the sound seems completely retarded, why? Igor: Why? What do you mean why? What do you think? Look man I’m the sound editor right? I don’t leave this room except to go home, to McDonalds or maybe to the occasional dream theater concert. I don’t go on set, the sound record as record the sounds they bring that to me. I put it in the machine and then I make the audio for the movie. Do you understand what I’m saying? I work with what I’m given. I’m not a wizard, yet let me show you what I’m talking about. Actual Footage and Soundtrack “Dramatic Bomb Defusal” (2008) Igor See? Complete garbage, no room tone. Big actors slash director you think you so smarty you know his like, “Oh the sound guy can go home as soon as all dialogue recorded”. Damn guy now we haven’t heard of room tone. But what is the room tone exactly and how couldn’t save the movie? Anatomy of the production disaster researchers has discovered that room tone also known as presents or atmosphere is a recording made by a sound recorder of the sound of a silent location. I know that sounds like an acting moron but its not and that’s because every location whether it’s a room, a football field or studio has a certain specific oral signature even when its estimably silent. That’s signature is determined by the locations dimension in its nature and the things inside of it like lamps or actors. That’s why its important that when your sound recorder records room tone he or she does so well the light is still on and the actors is still there. Actors even when they are not seeing anything can still affect the sound of the studio. But what these room tones do? Igor: When your on set, you want to record about a minute of room tone. You know when everyone shuts up and stop moving. This way the editor can put the room tone under all the cut away to smooth that all to edits. Even if the thing on screen is suppose to be silent like wire cutters or a shoe or you know a dead body. All these things are actually silent on screen, they are all making a noise. But you can’t just have the sound track be silent in those instances as in video with no audio. The audience will perceive it as a failure on the sound system rather than you know actual like the room in the movie is really quit kind of silent. You think they can tell? They can tell, really you want your sound editor to put room tone over the entire scene. That way all of the elements no matter what they are sound like they are taking place in the same location no mater what. So, it too often goes in production, a small detail is admitted and some things seemingly in consequential was forgotten. And not later comes back to bite you on your ass meat and bone. How many films is couldn’t been save? If they’ve only recorded room tone, approximately 1000. Thank you for joining as this is been Anatomy of the Production Disaster.