Authentic voices. Remarkable stories. AOL On Originals showcase the passions that make the world a more interesting place.
EMMY NOMINATED SERIES directed by and starring Steve Buscemi is back for a second season!!! Park Bench is a local's take on the special people, places, and spirit of New York City. Through unscripted moments with average New Yorkers and Steve's celeb friends, Buscemi takes viewers on a funny, first-hand journey/misadventure, told in his unique voice.
Journey to the Draft is an organic, unscripted, docu-series that follows three college football players, all with promising professional careers. These young men attend different schools across the country and play a variety of positions on the field, but at the end of the day they share one goal:to play in the NFL. The AOL docu-series follows players Leonard Williams, Kevin White and Marcus Peters.
Connected features the personal stories of six New Yorkers woven together into one of the most intimate series ever. This groundbreaking show changes the nature of storytelling by giving each character a camera to document their lives. The result is a unique format revealing as different as everyone appears to be, we are all universally Connected.
Wake up to your world in 2 minutes.
"Stricly Come Dancing presenter Tess Daly and The Saturdays' Rochelle Humes talk to mums about their experiences of being mum. Whether the daughter of a Rolling Stone, in one of the most famous girl bands the world has ever known, or a parent coping with disability as well as family life, each mother in Being Mum shows that the feelings, challenges and rewards of motherhood are universal no matter the surroundings you find yourself in."
Jews and Money. Asian Drivers. Polish IQ. CPT… that's racist! But where do these stereotypes come from? Comedian Mike Epps explores the backstories of this humor and how history and fact often distorts into a snide – but sometimes funny – shorthand.
"INSPIRED" features celebrities, visionaries and some of the biggest newsmakers of our generation, recounting the stories behind their biggest, life-changing moments of inspiration.
In a compelling series of verite encounters, Win Win provides unique access into the minds and lives of the world’s most-celebrated entrepreneurs and athletes.
Explore what it means to be human as we rush head first into the future through the eyes, creativity, and mind of Tiffany Shlain, acclaimed filmmaker and speaker, founder of The Webby Awards, mother, constant pusher of boundaries and one of Newsweek’s “women shaping the 21st Century.”
Nicole Richie brings her unfiltered sense of humor and unique perspective to life in a new series based on her irreverent twitter feed. The show follows the outspoken celebrity as she shares her perspective on style, parenting, relationships and her journey to adulthood.
Comedy is hard, but teaching comedy to children is hilariously difficult. Kevin Nealon is giving the challenge to some world-famous comedians. As these young minds meet with comedy’s best, get ready to learn some valuable comedy lessons, and to laugh!
James Franco loves movies. He loves watching them, acting in them, directing them, and even writing them. And now, he’s going to take some of his favorite movie scenes from the most famous films of all time, and re-imagine them in ways that only James can.
The story of punk rock singer Laura Jane Grace of Against Me! who came out as a woman in 2012, and other members of the trans community whose experiences are woefully underrepresented and misunderstood in the media.
This is Part of the Lost in Zombieville Production Diaries. They are a series of short behind the scenes documentaries that ...
are meant to show what goes on to create a film using 16mm.
Tags:How to Shoot Indoor Scenes for a Film,filmmaking,16mm,film,filmaking,lost in zombiville,scenes,shoot indoor
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Male: Hi and welcome!
Male: What are we going to be doing today Andrew?
Male: Today we are going to visit the land of make believe.
Male: This is the camera. Can one of you guys bring over those two boxes?
Male: What scenes are we doing today?
Male: Today we are doing all of madman scenes and everything in here basically. Everything indoors.
Male: Is it all address in this room?
Male: It will all be in this room.
Male: Yes, no rent.
Female: How was it working in the Red Valley?
Male: All right. Why do we not reduce to a quick run through? It does not really have to be like full rehearse over is it a good idea?
Male: So, I am easy and understand the collar in this one which is good.
Male: Can I see this?
Male: I think we are going to use that.
Male: Okay great on.
Male: Let me just go over and I will show you guys where we are going to shoot and what is going to happen this day.
Male: You are going to walk around here and you are going to go over here, and you are going to stay on. That is all.
Male: So we will walk all around here.
Male: This is the door, and you actually going to—you cannot get in there.
Male: So you are going to pretend [Voice Overlap]
Male: And then you enter over there and that is our scene. Okay? All right.
Male: Hey chief.
Male: How long has she been in there?
Male: In awhile.
Male: She has been pretty quiet.
Male: She has been pretty quiet though.
Male: When you walk in—
Male: Actually, why not? I originally had it that you came in with them.
Male: Okay, that is fine.
Male: But, we can—yes, this is okay because—
Male: You have file and you just take the file.
Male: How about you just sit in there and you are watching. You know what I mean, like you kind of do not—when you walk by you do not even kind of look at him. You see him every morning. You guys see each other every morning. So it is kind of like—
Male: No good morning.
Male: Son of a bitch. See how it is.
Male: Exactly. So you walk in and that is the scene so we will try that again.
Male: You need something?
Male: Why do you need my head?
Male I did not like that at all.
Male: What was the hat for?
Male: That hat is to give the fairies hot hair. Anybody else had a hat?
Male: Back in my apartment. I am making hat.
Male: Cowboy hat.
Female: So you got really bad hair actually.
Female: They are really bad putting all those crap in it.
Female: This is perfect.
Female: I am so excited I like it. I am sticky but.
Male: Let us take the shot?
Female: Zombieville scene 2, take one.
Male: All right, it is early in the morning guys and action. Cut, that is perfect.
Male: I am sure he had done a better job, I know it.
Male: Camera. You do not want to be here and action.
Male: Hey chief!
Male: How long has she been there?
Male: She had been pretty quiet though.
Male: Cut! How was that? All right guys, dinner is here. So we got some food and how long is our break?
Female: I do not know.
Male: Half an hour. Be back here.
Male: Who is in the other room?
Female: You have until 10:04.
Male: Good job guys.
Male: Okay everybody make a bite. Take a bite.
Male: That was good for the night.
Male: Hey, what is this? What happened here?
Male: Nothing? Well, I probably should not reveal what room we are in right now because you have to find out supposed to be but we are going to make it look exactly like it came to—you can put this camera down and help everybody.