This is Part of the Lost in Zombieville Production Diaries. They are a series of short behind the scenes documentaries that
are meant to show what goes on to create a film using 16mm.
Tags:How to Make Some Zombie Action in a Film,filmmaking,16mm,film,filmaking,lost in zombiville,zombie action
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Andrew: It is going to be a long night.
Male: We tend to go for the neck like just kind of spread the head. That is some situations to film like going to foot — blood going out of your heart or something like that and then when you do the moan you bring it up a notch.
Female: You are just going to help me walk buddy.
Female: Okay, I need Greg who is here. Natalia!
Female: Your name is tiny zombie.
Female: We need you. Matt Clayton. You are cowboy zombie number one. Noah Quelling, your cowboy zombie number two. Ronnie, you’re a mall mart zombie.
Female: Yes. Is Daniel Pena here?
Male: He is working on death of film and I do not know.
Female: So he is not going to be here.
Male: I talk to him and he said—
Female: Are you here all night?
Male: I am walking to do it.
Female: Jasmine here.
Male: Tiny zombie, you are coming in—Russian zombie, you are coming in from that direction, all right.
Female: White and purple?
Male: White and purple okay; white zombie actually.
Female: He pulls back the pole and jumps it into its belt. It screams as zombie and spits blood on her. Three zombies get to that point inside lining one by one in front of the three as they gain their shooter. Mary takes the pole and land them into the three zombie forming a four zombie.
Male: With blood. Exclamation mark, actually you put five exclamation estimation marks there.
Male: Did he?
Male: No, he did not put any exclamation marks.
Male: Oh, son of a bitch.
Male: I think if somebody just grabs both of your pockets and at the same time and just pull it down.
Male: Yes, I hate it when you do that.
Male: His face looks fucking cool too.
Male: You fucking hate zombies, you know why? One, they are totally fucking stupid and two, they are fucking always hungry. All they want to do is just eat, eat, and eat. You could feed them, you could beat them and they never full. And they are fucking dumb as a rock.
Male: Hey, I am not dumb.
Male: As a fucking rock, stupid.
Male: Do you hear that rock, he is calling you stupid?
Male: Hey Liz.
Male: We need blood in their mouths now.
Male: Just hit the blood in the mouth all night.
That would be awesome.
Male: All right, set.
Male: And Action.
Female: Good job guys.
Male: All right zombies for the next shot, it is getting cold so if you could grab your jackets and bring them over here.
Male: Why did they say bitch on the back of the camera?
Female: Oh, these three sorority girls were unofficially hazing me and they do not like me because I am rich. So I was tied up and they pushed me and beat me up and they were pitch with lamb’s blood under my back.
Male: Lamb’s blood? That is mean. So would you like to get revenge on this people who were obviously jealous of your talents and your wealth?
Female: No, I think I am just too scared. So I forgotten about the girls and I get attacked by zombies instead.
Male: Is it on? Of course it is on. So, I think we are going to move the case over there a little bit.
Male: Yes, let us do that.
Male: All right, is everything good? Are we coming back for dinner now or.
Male: Yes we are back from dinner.
Male: I think the key is in the car.
Male: All right, we got to do it under.
Male: Or actually I am not — Matt can you come here.
Male: I see why they are not acting on this film.
Male: We are thinking that we are just going to move some of the case over and right after dinner I finish and it is like we were good and there is nothing there. The keys are in the car man.
Male: What do you mean?
Male: Someone close the door and the door is lock and the keys are in the car.
Male: Wait no way.
Male: They what?
Male: They are fucking in the [Voice Overlap] right in there.
Male: How are keys fucking?
Female: You guys, somebody is going to die. Who is fucking left the keys in the car. Well you gu