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Jews and Money. Asian Drivers. Polish IQ. CPT… that's racist! But where do these stereotypes come from? Comedian Mike Epps explores the backstories of this humor and how history and fact often distorts into a snide – but sometimes funny – shorthand.
"INSPIRED" features celebrities, visionaries and some of the biggest newsmakers of our generation, recounting the stories behind their biggest, life-changing moments of inspiration.
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Explore what it means to be human as we rush head first into the future through the eyes, creativity, and mind of Tiffany Shlain, acclaimed filmmaker and speaker, founder of The Webby Awards, mother, constant pusher of boundaries and one of Newsweek’s “women shaping the 21st Century.”
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Comedy is hard, but teaching comedy to children is hilariously difficult. Kevin Nealon is giving the challenge to some world-famous comedians. As these young minds meet with comedy’s best, get ready to learn some valuable comedy lessons, and to laugh!
James Franco loves movies. He loves watching them, acting in them, directing them, and even writing them. And now, he’s going to take some of his favorite movie scenes from the most famous films of all time, and re-imagine them in ways that only James can.
The story of punk rock singer Laura Jane Grace of Against Me! who came out as a woman in 2012, and other members of the trans community whose experiences are woefully underrepresented and misunderstood in the media.
Executive produced by Zoe Saldana (who will be the subject of one episode), a celebrity travels back to their hometown to pay tribute to the one person from their past (before they were famous) who helped change their life by giving them an over-the-top, heart-felt surprise.
Enter the graceful but competitive world of ballet through the eyes of executive producer, Sarah Jessica Parker. This behind-the-scenes docudrama reveals what it takes to perform on the ultimate stage, the New York City Ballet. Catch NYCB on stage at Lincoln Center.
Park Bench is a new kind of "talking show" straight from the mind of born and bred New Yorker and host, Steve Buscemi.
Go behind the scenes with some of the biggest digital celebrities to see what life is like when the blogging and tweeting stops.
Hello! I’m Hall Groat II, welcome back to my studio. It’s my 25th instructional DVD and we’re going to continue on with the landscape painting series and recreate this 8 x 10 inch piece that was completed a while back.
So today, the palette we’re going to use is going to consist of some Titanium white, some lamp black because of some of those real dark areas. The standard burnt amber, ultramarine blue and then particular to landscape painting is this blue green called Aberdeen green. We’ll use a little bit of that on some of the leaves and rocks. And then our lemon yellow, and then we have yellow ochre which is a darker yellow. A medium red which is close to a blood red and then a darker red called the Alizarin crimson. So this will be able to work with a landscape.
In terms of the medium, I’m going to work with the refined linseed oil which will stay wet for quite a time and allow us to work Alla Prima wild on wet. I love this stuffed. We’re going to take some of the linseed oil. We’ll just pour a small amount by a quarter into this little aluminum reservoir, one of those of clip on reservoirs.
So these are shouts of light. You want to put this paint down pretty chunky and thick because what’s underneath is a little bit wet and so we want to these strokes to set up on top without intermixing too much. You’ll noticing lights hitting here. When I put the stroke down, I want to let some of the darker—stop to show through. In some cases, I can use like little point of stroke to suggest like maybe chunks of leaves and chunks of dirt. I maybe a few little dubs right up against that little falling tree. Believe or not, what we are doing now is very similar to I mean the idea of painting shapes in between the foliage. It’s like over, I can take the palette and I can sort of scrape onto it and maybe drag it down. Take a little bit off and bring it down to here. There’s a few spot.
We want to make sure those lights hierarchy. When you work with light in a front -- while approaching the end and during the final touches, you’re going to see me use this very fine Double O brush to suggest some little fishers within the stones. So, I take my arm and rest my hand on my arm and pretty much any dark will work for this. It is very fine lines. So up in here there’s a few brown little—