Authentic voices. Remarkable stories. AOL On Originals showcase the passions that make the world a more interesting place.
Connected features the personal stories of six New Yorkers woven together into one of the most intimate series ever. This groundbreaking show changes the nature of storytelling by giving each character a camera to document their lives. The result is a unique format revealing as different as everyone appears to be, we are all universally Connected.
Wake up to your world in 2 minutes.
Jews and Money. Asian Drivers. Polish IQ. CPT… that's racist! But where do these stereotypes come from? Comedian Mike Epps explores the backstories of this humor and how history and fact often distorts into a snide – but sometimes funny – shorthand.
"INSPIRED" features celebrities, visionaries and some of the biggest newsmakers of our generation, recounting the stories behind their biggest, life-changing moments of inspiration.
In a compelling series of verite encounters, Win Win provides unique access into the minds and lives of the world’s most-celebrated entrepreneurs and athletes.
Explore what it means to be human as we rush head first into the future through the eyes, creativity, and mind of Tiffany Shlain, acclaimed filmmaker and speaker, founder of The Webby Awards, mother, constant pusher of boundaries and one of Newsweek’s “women shaping the 21st Century.”
Nicole Richie brings her unfiltered sense of humor and unique perspective to life in a new series based on her irreverent twitter feed. The show follows the outspoken celebrity as she shares her perspective on style, parenting, relationships and her journey to adulthood.
Comedy is hard, but teaching comedy to children is hilariously difficult. Kevin Nealon is giving the challenge to some world-famous comedians. As these young minds meet with comedy’s best, get ready to learn some valuable comedy lessons, and to laugh!
James Franco loves movies. He loves watching them, acting in them, directing them, and even writing them. And now, he’s going to take some of his favorite movie scenes from the most famous films of all time, and re-imagine them in ways that only James can.
The story of punk rock singer Laura Jane Grace of Against Me! who came out as a woman in 2012, and other members of the trans community whose experiences are woefully underrepresented and misunderstood in the media.
Executive produced by Zoe Saldana (who will be the subject of one episode), a celebrity travels back to their hometown to pay tribute to the one person from their past (before they were famous) who helped change their life by giving them an over-the-top, heart-felt surprise.
Enter the graceful but competitive world of ballet through the eyes of executive producer, Sarah Jessica Parker. This behind-the-scenes docudrama reveals what it takes to perform on the ultimate stage, the New York City Ballet. Catch NYCB on stage at Lincoln Center.
Park Bench is a new kind of "talking show" straight from the mind of born and bred New Yorker and host, Steve Buscemi.
In this painting tutorial series, expert painter Alexander Shundi explains step by step how to mix your colors in order to ...
paint a portrait.
Tags:Mixing the Colors for Painting Portraits,alexander shundi,art class,How to Paint,how to paint a portrait,monkeysee,painting,painting a portrait,painting lesson,portrait,portrait painting
Grab video code:
Hi, this is Alex Shundi, and this is How – To – Paint – A – Portrait, in this clip, I’m gonna show you how to mix colors, and in particulars flash tones. What I would like to do now is to mix a skin tone that is a, what’s called a middle tone, meaning that it’s in between cool and warm, in between dark and light. Now, the cool and warm means warm going toward the reds and the yellows and cools obviously going toward the blues and the greens or the dead brown. Now, you begin by putting down white, and then like a rainbow yellow, eventually red, eventually brown, eventually blue and eventually green. The reason why you do that is that you have a pretty good understanding as to the chromatic differences according to the rainbow. Another good idea is to actually place your tubes in the same sequence with which you’ve place the colors in your palette, so whenever you run out of color, you can just go directly and grab the tube and will save you some time. Rather than having to go look for it. Now, you begin by putting down a white, this happens to be a premarble white which is a very good combination between zinc and titanium, and then I’m gonna put a little bit of yellow which is a cadmium yellow light. If I take the cadmium yellows and the reds, a little bit of serillian blue, a little bit of alizarin crimson, a tiny touch of green, it can be green earth and or sap green and mix your colors in such a way to approximate flash. At that point, I’m gonna look at the model, we’ll gonna look at the sitter to average out a tone, meaning that I’m gonna look at her and see which color in her face is the most apparent, is the most middle one. If we would take a black and white photograph, for instance, which one would be an absolute gray. I now mix this middle tone, this is going to be serving as a kind of a pool from which I will then make things that are darker and lighter, warmer and cooler. Having mixed a generous pool of it, I am going to try to make it a little bit more fluid. In order to do that, I wanna take my palette knife, dip it in little bit of oil and then allow the oil to mix itself with the paint, therefore rendering the paint much more creamy, much more easily applicable, and easier to flow on the canvass. At this point, I am going to try to get a much brighter tone, a lighter and brighter tone for a high point reflections that are facing the light. To do that, I’m gonna begin by taking just a tiny bit of my middle tone and adding the brightest and warmest possible color I can. Simultaneously, I might wanna now make a cooler tone that is also light. So again I dip from my middle tone and add a cool tone, what will be a cool tone, anything except yellow and red, in essence. Therefore, I’m gonna take a little green and a little bit of blue. Now remember that whenever you’re using white, you are doing two things. Number one is that you’re making whatever tone you’re adding white to, obviously lighter, but you're also making it cooler. As you can see, the colors are mixed, and so we’re gonna go on to the next clip, where I’m gonna show you how to put that color down in an under painting.