Authentic voices. Remarkable stories. AOL On Originals showcase the passions that make the world a more interesting place.
Gwyneth Paltrow and Tracy Anderson spend time with women who've overcome hardship, injury, and setbacks to triumph in the face of adversity. We'll hear their inspiring stories firsthand, whether fighting back from a career-ending injury or transforming their lives and bodies through diet and exercise.
Enter the graceful but competitive world of ballet through the eyes of executive producer, Sarah Jessica Parker. This behind-the-scenes docudrama reveals what it takes to perform on the ultimate stage, the New York City Ballet. Catch NYCB on stage at Lincoln Center.
The Future Of Us is a powerful original series from television personality, futurist, filmmaker and techno-philosopher, Jason Silva. In this series, Silva shares his excitement around recent discoveries and inventions.
ACTING DISRUPTIVE takes viewers inside the businesses and passion projects of Hollywood’s top celebrities.
They say every picture tells a story and AOL On's new original series My Ink proves it. Travel along as some of the world's greatest athletes bring their tattoos to life through exclusive interviews and visits to their favorite tattoo parlors.
Explore what it means to be human as we rush head first into the future through the eyes, creativity, and mind of Tiffany Shlain, acclaimed filmmaker and speaker, founder of The Webby Awards, mother, constant pusher of boundaries and one of Newsweek’s “women shaping the 21st Century.”
Discover crowdfunded small business success stories with author, comedian, and entrepreneur Baratunde Thurston.
Go behind-the-scenes with racing's hottest, young talent, 17-year-old Dylan Kwasniewski, as he aspires to make it in the #1 motorsport in America – NASCAR
Follow Scott Schuman, the Sartorialist, from the streets of NYC to the capitals of Europe on his quest to photograph and document the best in culture and fashion.
Iconic potter, designer, author and personality Jonathan Adler shares his unique perspective on creativity. Showcasing the inspiration Jonathan finds in the most unlikely people and places, Inspiration Point will add style, craft and joy to your life.
Serving Innovation gives a fresh look into the stories and passions that motivate some of the most innovative tastemakers in America.
A documentary directed by Alex Winter exploring the Napster downloading revolution; the kids who created it, the bands and businesses that were affected and its impact on the world at large.
Nicole Richie brings her unfiltered sense of humor and unique perspective to life in a new series based on her irreverent twitter feed. The show follows the outspoken celebrity as she shares her perspective on style, parenting, relationships and her journey to adulthood.
Male1: And the other nice thing about this particular lens, and I wish that every lens had this, but it’s not just gonna happen. Is the collar that goes around it, the main point of the collar is so you don’t, when you have a heavy lens, you’re not putting the camera on the tripod with the tripod mount that’s under the lens and having all this weight ripping at the connection point on the camera. It balances the weight out. What else it does, instead of you having that, they’ve improve on and they let you rotate your camera, so you can go from horizontal to vertical. And rotating it on the lens axis, so once we framed up this flower, and I decide, well I rather shoot that… usually for landscape, shooting your nature stuff , it’s either horizontal or vertical, it’s a 90 degree turn. For flowers, since nobody knows, I mean some of these, like I said, they look upside down, some of these look right side up, you might want to turn the camera just a few degrees. It’ll still keep the flower exactly centered in the frame. So you don’t have to reframe it, like what if you’re using a, just imagine a regular head on a tripod and you wanna go from horizontal to vertical, the whole camera moves over, maybe like 6 inches. So now it’s not even aimed on what it’s aimed at before. And then you got to move your whole tripod over, meanwhile you can't because there’s grass in the way, or stuff, it’s just a big hassle, this is such a huge advantage. And with this lens, I can get in, I think the minimum focusing distance is like what, 18 inches or something? Male2: Around there. Male1: It’s pretty close. We could find out right now, you measure that from, and that’s measured from the sensor, not the front of the lens. So up from the sensor, forward. Male2: Technical question. Male1: Meanwhile, we’re ready to check that. Male3: It usually tells you right on the mark. Male1: Oh yeah. Male3: Can I move the focus? Male1: Sure. Male2: And I’m filming it. Male3: Half a meter. Male2: 18 inches. Male1: That’s pretty close. Male4: Good call there. Male5: Will you put a live image of that? Male1: We will. Male2: Well, we won't be live out in as he’s focusing and stuff like that. You’ll have to use just the video out cable directly to a monitor, where because of other reasons. Male1: But it will be a, you’ll see it after I actually use the bigger… just a minute. I actually not shoot that one, I’m gonna drop down and shoot the one a little below it. Just because… Male4: Finding competing composition, is it? Male1: And also, I may have mentioned this before, what I, over you’re working close with the macro lens, the auto focus will still work, will work fine. But because the sensor that you choose, like in this case, I’ve got all these different option. I get a pair or so focus points, I could choose one of those, hit the auto focus and the shutter release and it will focus on that. But because where in so close it might be an 8th of an inch closer to what I wanted to be, or a quarter of an inch faster. I just switch to focusing to manual. And on this lens it’s easy, it’s just a snap on the lens itself. Snaps to autofocus and in the middle at any point, if you’re shooting with autofocus and you wanna go to manual, just snap that back, and it automatically engages the manual focus. You don’t have to do anything on the camera body whole.