Authentic voices. Remarkable stories. AOL On Originals showcase the passions that make the world a more interesting place.
EMMY NOMINATED SERIES directed by and starring Steve Buscemi is back for a second season!!! Park Bench is a local's take on the special people, places, and spirit of New York City. Through unscripted moments with average New Yorkers and Steve's celeb friends, Buscemi takes viewers on a funny, first-hand journey/misadventure, told in his unique voice.
Journey to the Draft is an organic, unscripted, docu-series that follows three college football players, all with promising professional careers. These young men attend different schools across the country and play a variety of positions on the field, but at the end of the day they share one goal:to play in the NFL. The AOL docu-series follows players Leonard Williams, Kevin White and Marcus Peters.
Connected features the personal stories of six New Yorkers woven together into one of the most intimate series ever. This groundbreaking show changes the nature of storytelling by giving each character a camera to document their lives. The result is a unique format revealing as different as everyone appears to be, we are all universally Connected.
Wake up to your world in 2 minutes.
"Stricly Come Dancing presenter Tess Daly and The Saturdays' Rochelle Humes talk to mums about their experiences of being mum. Whether the daughter of a Rolling Stone, in one of the most famous girl bands the world has ever known, or a parent coping with disability as well as family life, each mother in Being Mum shows that the feelings, challenges and rewards of motherhood are universal no matter the surroundings you find yourself in."
Jews and Money. Asian Drivers. Polish IQ. CPT… that's racist! But where do these stereotypes come from? Comedian Mike Epps explores the backstories of this humor and how history and fact often distorts into a snide – but sometimes funny – shorthand.
"INSPIRED" features celebrities, visionaries and some of the biggest newsmakers of our generation, recounting the stories behind their biggest, life-changing moments of inspiration.
In a compelling series of verite encounters, Win Win provides unique access into the minds and lives of the world’s most-celebrated entrepreneurs and athletes.
Explore what it means to be human as we rush head first into the future through the eyes, creativity, and mind of Tiffany Shlain, acclaimed filmmaker and speaker, founder of The Webby Awards, mother, constant pusher of boundaries and one of Newsweek’s “women shaping the 21st Century.”
Nicole Richie brings her unfiltered sense of humor and unique perspective to life in a new series based on her irreverent twitter feed. The show follows the outspoken celebrity as she shares her perspective on style, parenting, relationships and her journey to adulthood.
Comedy is hard, but teaching comedy to children is hilariously difficult. Kevin Nealon is giving the challenge to some world-famous comedians. As these young minds meet with comedy’s best, get ready to learn some valuable comedy lessons, and to laugh!
James Franco loves movies. He loves watching them, acting in them, directing them, and even writing them. And now, he’s going to take some of his favorite movie scenes from the most famous films of all time, and re-imagine them in ways that only James can.
The story of punk rock singer Laura Jane Grace of Against Me! who came out as a woman in 2012, and other members of the trans community whose experiences are woefully underrepresented and misunderstood in the media.
Let's continue with our Color Management theme here and go ahead and take a look at working in different color spaces.
So by default, this image as you can see, as denoted by this little thing in the Title bar sown here at the bottom, is in the sRGB color space.
Now, as we already know sRGB is a bad thing to have on your images inside of Photoshop. So what we are actually going to do is we are going to change the color profile of this image and you can do this one of two ways. You can either assign a profile to your image or you can convert your image to a profile. So let's take a look at exactly what the difference is between assigning a profile and converting to a profile.
In order to get to these settings, I am going to come up here to the Edit menu and I am just going to go ahead and chose Assign Profile. Now when I get into this dialog box here, I can go ahead and pick my new color setting down here in the Profiles or I can simply select my Working RGB space. This is exactly what I want to do because I want my image to have the same profile as my working space.
So I am going to go ahead and click that little check-box there and when I do that, you should see on your screen a shift in this image or the image becomes more warm and it's also a little bit more saturated; it's actually going to look really bad when you start to click that new space.
So we are going to go ahead now and we are going to cancel out of this because when you assign a profile to an image, you do not actually change the color in the image at all. No actual pixels are affected. Only the way the image is displayed on screen is changed here. So what we are going to do is we are going to cancel this out and we are going to come back up to the Edit menu and this time we are going to chose Convert to Profile.
Now when we get into the Convert to Profile dialog box, what we are going to do is we are going to change our Destination Space to our Adobe RGB (1998) and when we do that, you will not see any change on your image at all and the reason you are not seeing a color shift or an increase in saturation is because Photoshop is now changing the actual color values of the image. So the converted colors are displayed the exact same as they were in the old color space, but now the values of the color are actually matching our new color space and what this is going to do is, is unify our color settings for this particular image and make sure that we don't have any perceptual problems when we are working on this image later on.
Now that we have got all of this taken care of, we can go ahead and click OK and this image should be in the correct color space, matching our working space and we shouldn't have anymore color problems as we work throughout this image.