Authentic voices. Remarkable stories. AOL On Originals showcase the passions that make the world a more interesting place.
EMMY NOMINATED SERIES directed by and starring Steve Buscemi is back for a second season!!! Park Bench is a local's take on the special people, places, and spirit of New York City. Through unscripted moments with average New Yorkers and Steve's celeb friends, Buscemi takes viewers on a funny, first-hand journey/misadventure, told in his unique voice.
Journey to the Draft is an organic, unscripted, docu-series that follows three college football players, all with promising professional careers. These young men attend different schools across the country and play a variety of positions on the field, but at the end of the day they share one goal:to play in the NFL. The AOL docu-series follows players Leonard Williams, Kevin White and Marcus Peters.
Connected features the personal stories of six New Yorkers woven together into one of the most intimate series ever. This groundbreaking show changes the nature of storytelling by giving each character a camera to document their lives. The result is a unique format revealing as different as everyone appears to be, we are all universally Connected.
Wake up to your world in 2 minutes.
"Stricly Come Dancing presenter Tess Daly and The Saturdays' Rochelle Humes talk to mums about their experiences of being mum. Whether the daughter of a Rolling Stone, in one of the most famous girl bands the world has ever known, or a parent coping with disability as well as family life, each mother in Being Mum shows that the feelings, challenges and rewards of motherhood are universal no matter the surroundings you find yourself in."
Jews and Money. Asian Drivers. Polish IQ. CPT… that's racist! But where do these stereotypes come from? Comedian Mike Epps explores the backstories of this humor and how history and fact often distorts into a snide – but sometimes funny – shorthand.
"INSPIRED" features celebrities, visionaries and some of the biggest newsmakers of our generation, recounting the stories behind their biggest, life-changing moments of inspiration.
In a compelling series of verite encounters, Win Win provides unique access into the minds and lives of the world’s most-celebrated entrepreneurs and athletes.
Explore what it means to be human as we rush head first into the future through the eyes, creativity, and mind of Tiffany Shlain, acclaimed filmmaker and speaker, founder of The Webby Awards, mother, constant pusher of boundaries and one of Newsweek’s “women shaping the 21st Century.”
Nicole Richie brings her unfiltered sense of humor and unique perspective to life in a new series based on her irreverent twitter feed. The show follows the outspoken celebrity as she shares her perspective on style, parenting, relationships and her journey to adulthood.
Comedy is hard, but teaching comedy to children is hilariously difficult. Kevin Nealon is giving the challenge to some world-famous comedians. As these young minds meet with comedy’s best, get ready to learn some valuable comedy lessons, and to laugh!
James Franco loves movies. He loves watching them, acting in them, directing them, and even writing them. And now, he’s going to take some of his favorite movie scenes from the most famous films of all time, and re-imagine them in ways that only James can.
The story of punk rock singer Laura Jane Grace of Against Me! who came out as a woman in 2012, and other members of the trans community whose experiences are woefully underrepresented and misunderstood in the media.
Learn how to work with clipping warning in Camera Raw 4.0.
Tags:adobe,adobe photoshop cs3,camera raw 4.0,clipping warning,images,total training,tutorial
Grab video code:
So we have talked about how to adjust the Exposure of the image and we also talked about the importance of maintaining all of the elements of a photo; whether it be the Highlights, the Shadows, or the Midtones.
Now, one of the great things about Camera Raw is the fact that it allows you to see visual feedback on the image of exactly where you are losing your detail. So what I am going to do now is come over here to the left and I am actually going to select Rockefeller-3.CR2.
When I select that image, you will notice that it comes up on screen and it's really kind of difficult to see where we are losing details in this image, because it's not actually a bad shot. But if we come up here to the Histogram Palette, we will notice that these little triangles right here denote that there are some definite problems.
Now, if you have a perfectly toned image, one with no clipping of Shadows or Highlights, you will notice that both of these little triangles should be black. However, in this particular image we have our Highlight Triangle showing us that there is a yellow warning, which means we are losing a little bit of detail. Then we also have the black slider showing us that we are losing a little bit more than normal amounts of shadows here in this image.
Now, what you can do is actually click on these and you will be able to see the actual areas that you are losing detail in. So I am actually losing more Highlight detail than I anticipated. I am losing detail on the legs of this statue and also a lot around the base.
Now, I am not losing as much Shadow details as I thought, as denoted by the blue areas. You can see little specs of blue here and there, where I am actually losing details of my Shadows. This is great visual feedback and it will actually live update as you go through so that you can get a preview of exactly how you are adjusting your image and see when you get rid of those problem areas.
Now, I am going to come up here and I am going to start adjusting this image using the Exposure Controls. You will notice, when I start to bring back this image, that these triangles up here will start to improve and eventually will turn completely black. Once they do that, I know that I have perfectly corrected those areas of my image.
So I am going to start off with my Exposure and I am actually going to push it up just one click at a time, and stop probably at about .15. Now, I didn't really correct anything here, but it's going to help the overall brightness and it's going to ease up a little bit of these Shadows.
So what I am going to do now is come down to the Recovery Slider and I am going to try to recover all of these Highlight areas in here. So now I am just going to take the slider and start dragging it over to the right.
Now as I do that you should see a live updated preview of the highlighted areas coming back in. So I am going to keep dragging until I get to about probably 35. You see we have pretty much fixed everyone of those blown out highlights there and brought back in the main parts of the detail that we need on this image.
I am actually going to take the Fill Light Slider now and increase it just a little bit so that we can get rid of some of those little stray areas of blue. So I can maybe push it up to about 10, and as you can see, we have gotten rid of a significant amount of those little parts of blue there, so we have pretty much corrected that area of the image.
Now, you will notice here that my Highlights have gone completely back to black. So I know that my Highlights are okay now and I don't have to worry about them anymore.
Now, my blacks are another story. They are not exactly as black as they should be, so I need to find out a way that I can increase the level of blacks in this image to make sure that that slider goes to black.
So what I am going to do now is maybe even back off a little bit in the blacks to kind of tone that down, and you see there, by taking that down to 3, I have automatically gotten that little black triangle back in the shadows, and we have completely fixed the problem areas in this image in a very visual and very interactive way.