Authentic voices. Remarkable stories. AOL On Originals showcase the passions that make the world a more interesting place.
EMMY NOMINATED SERIES directed by and starring Steve Buscemi is back for a second season!!! Park Bench is a local's take on the special people, places, and spirit of New York City. Through unscripted moments with average New Yorkers and Steve's celeb friends, Buscemi takes viewers on a funny, first-hand journey/misadventure, told in his unique voice.
Journey to the Draft is an organic, unscripted, docu-series that follows three college football players, all with promising professional careers. These young men attend different schools across the country and play a variety of positions on the field, but at the end of the day they share one goal:to play in the NFL. The AOL docu-series follows players Leonard Williams, Kevin White and Marcus Peters.
Connected features the personal stories of six New Yorkers woven together into one of the most intimate series ever. This groundbreaking show changes the nature of storytelling by giving each character a camera to document their lives. The result is a unique format revealing as different as everyone appears to be, we are all universally Connected.
Wake up to your world in 2 minutes.
"Stricly Come Dancing presenter Tess Daly and The Saturdays' Rochelle Humes talk to mums about their experiences of being mum. Whether the daughter of a Rolling Stone, in one of the most famous girl bands the world has ever known, or a parent coping with disability as well as family life, each mother in Being Mum shows that the feelings, challenges and rewards of motherhood are universal no matter the surroundings you find yourself in."
Jews and Money. Asian Drivers. Polish IQ. CPT… that's racist! But where do these stereotypes come from? Comedian Mike Epps explores the backstories of this humor and how history and fact often distorts into a snide – but sometimes funny – shorthand.
"INSPIRED" features celebrities, visionaries and some of the biggest newsmakers of our generation, recounting the stories behind their biggest, life-changing moments of inspiration.
In a compelling series of verite encounters, Win Win provides unique access into the minds and lives of the world’s most-celebrated entrepreneurs and athletes.
Explore what it means to be human as we rush head first into the future through the eyes, creativity, and mind of Tiffany Shlain, acclaimed filmmaker and speaker, founder of The Webby Awards, mother, constant pusher of boundaries and one of Newsweek’s “women shaping the 21st Century.”
Nicole Richie brings her unfiltered sense of humor and unique perspective to life in a new series based on her irreverent twitter feed. The show follows the outspoken celebrity as she shares her perspective on style, parenting, relationships and her journey to adulthood.
Comedy is hard, but teaching comedy to children is hilariously difficult. Kevin Nealon is giving the challenge to some world-famous comedians. As these young minds meet with comedy’s best, get ready to learn some valuable comedy lessons, and to laugh!
James Franco loves movies. He loves watching them, acting in them, directing them, and even writing them. And now, he’s going to take some of his favorite movie scenes from the most famous films of all time, and re-imagine them in ways that only James can.
The story of punk rock singer Laura Jane Grace of Against Me! who came out as a woman in 2012, and other members of the trans community whose experiences are woefully underrepresented and misunderstood in the media.
Learn how to use a reflective thing to reflect light on a dude's face... all the cool kids are doing it.
Tags:How to Use Reflectors,How to Use Reflector,Introduction on how to use Reflector,Using Reflectors in Photography,Using Reflectors Like a Pro,substream
Grab video code:
Hi! This is Mike from the thesubstream.com. I’m off screen, about to join my good friend and very handsome model, Ryo the—
A couple of months ago in the film lab here we talked about how to create Rembrandt lighting which is a really simple, really basic way to light for drama using three lights. It starts with the key light which lights of the subject, the filled light on the other side that fills in some shadows, and a backlight from behind that helps pick out our subject right over here from the background. But what if you don’t have three lights? What if you’re shooting outside or you’re shooting next to a sunny window, or you have one lamp only?
Well there’s still things that you can do to them and help make your lighting look dramatic but also natural. Once I get the houselights tuned off we’re going to use our lamp here, a Lowel omni as a stand in for any single, strong light source. The sun and the sun shining through the window, a household lam, and I’m going to cut to a close. There we go a close up so we can see what it looks like.
Yeah, okay. Not so hot. It’s a little severe. It’s very dramatic. There you’re contrasting and it’s the kind of thing that might work, a friar was looking for the Maltese Falcon. But as far as general purpose say interview light goes, it’s little over the top and a little bit too harsh. What we need to do is get some light under the fill side of his face, the side with the shadows.
So what do you do if you don’t have a second light or a third or a spare sun in your pocket? Well, you can use reflector like this one. They sell at any photo supply store for about 50 bucks. What you do is stand on the other side of your subject and bounce the excess key light back into your subjects face. As you can see, the reflector acts like a fill light, filling in some of the detail that was lost to shadow before. You can also use it to waive around in the air and shoot the reflection back into the camera lens for some reason I can’t remember.
On the adverse side of this reflector is a white surface. As you can see, it doesn’t reflect as much light but the light it does reflect is softer. Now, if you don’t have access to a reflector you don’t want to incur the expense, you can use this stuff instead. It’s called foam core and it’s available at all kinds of hobby shops and hardware stores and it’s just basically a light polystyrene board with a white paper surface. And you could use it just like a reflector. Stand opposite the key and angle it so that it bounces the key light back into your subject’s face. And as you can see, it works about as well as the reflector too.
Now, it may seem like a jerry-rig but the stuff gets used all the time on professional film sets because it’s easy, cheap light and ultimately disposable. On behalf of Ryo and I and everyone here at the substream.com thanks for watching this short film lab episode about how to use reflectors. I’m sorry there weren’t more jokes or explosions or special effects in it but we’re saving those for more later, a funnier and better videos.
Remember you can make a reflector out of almost anything, put tin foil or a white sheet over top a cookie tin. Once you get the concept of using something reflective to bounce key light back into the unlit side of your subject’s face you’re limited only by your own ingenuity. Bye.