Authentic voices. Remarkable stories. AOL On Originals showcase the passions that make the world a more interesting place.
Journey to the Draft is an organic, unscripted, docu-series that follows three college football players, all with promising professional careers. These young men attend different schools across the country and play a variety of positions on the field, but at the end of the day they share one goal:to play in the NFL. The AOL docu-series follows players Leonard Williams, Kevin White and Marcus Peters.
Connected features the personal stories of six New Yorkers woven together into one of the most intimate series ever. This groundbreaking show changes the nature of storytelling by giving each character a camera to document their lives. The result is a unique format revealing as different as everyone appears to be, we are all universally Connected.
Wake up to your world in 2 minutes.
Jews and Money. Asian Drivers. Polish IQ. CPT… that's racist! But where do these stereotypes come from? Comedian Mike Epps explores the backstories of this humor and how history and fact often distorts into a snide – but sometimes funny – shorthand.
"INSPIRED" features celebrities, visionaries and some of the biggest newsmakers of our generation, recounting the stories behind their biggest, life-changing moments of inspiration.
In a compelling series of verite encounters, Win Win provides unique access into the minds and lives of the world’s most-celebrated entrepreneurs and athletes.
Explore what it means to be human as we rush head first into the future through the eyes, creativity, and mind of Tiffany Shlain, acclaimed filmmaker and speaker, founder of The Webby Awards, mother, constant pusher of boundaries and one of Newsweek’s “women shaping the 21st Century.”
Nicole Richie brings her unfiltered sense of humor and unique perspective to life in a new series based on her irreverent twitter feed. The show follows the outspoken celebrity as she shares her perspective on style, parenting, relationships and her journey to adulthood.
Comedy is hard, but teaching comedy to children is hilariously difficult. Kevin Nealon is giving the challenge to some world-famous comedians. As these young minds meet with comedy’s best, get ready to learn some valuable comedy lessons, and to laugh!
James Franco loves movies. He loves watching them, acting in them, directing them, and even writing them. And now, he’s going to take some of his favorite movie scenes from the most famous films of all time, and re-imagine them in ways that only James can.
The story of punk rock singer Laura Jane Grace of Against Me! who came out as a woman in 2012, and other members of the trans community whose experiences are woefully underrepresented and misunderstood in the media.
Executive produced by Zoe Saldana (who will be the subject of one episode), a celebrity travels back to their hometown to pay tribute to the one person from their past (before they were famous) who helped change their life by giving them an over-the-top, heart-felt surprise.
Enter the graceful but competitive world of ballet through the eyes of executive producer, Sarah Jessica Parker. This behind-the-scenes docudrama reveals what it takes to perform on the ultimate stage, the New York City Ballet. Catch NYCB on stage at Lincoln Center.
Hey guys this is Eric from Final Cut Studio School coming at you with a real quick shake tip.
Somebody wants to know okay you win over a tracker, that’s fine but what about if your tracker gets obscured by something? Say your tracker goes up, just the object your tracking goes off screen, or the person you’re tracking walks behind a building and you lose your track point, what do you do? How can you finish tracking? Well, I'm going to show you a real fast. Okay?
So what I'm going to do is I'm going to tap my footage here that I filed in and I'm going to start from the beginning here. I'm going to my transform tab, and I'm going to pin the stabilize mode. Okay?
Now, I have this stabilize mode. I've got one point, that’s all I need, so I'm just going to track these two what white cigarettes I have here. I just need one tracking point to do that, and you can get the idea and apply it to more if need be. I'm going to take my tracker, and I'm going to put it up here on the tip of my cigarette, and I'm going to adjust my search box down a little bit. Make it a little bit smaller, like that.
And now, I'm just to go here and hit my track forward button. Now, I want to keep my hand on the ESC key. When my tracker gets ready to go off screen or gets ready to become obscured by another object, hit the escape key and stop the track. So let’s begin.
It’s going to track forward, no problem. Get ready to go off screen, escape. Okay, now, as you can see I hit this ESC key right before when it of screen. Now, what do we do? Well, come down here and hit your offset track button. When you do this, the emblem will change to this right here. And when you mass up over your tracking box, you‘ll see this little X.You see this X to the center now, it’s hard to see but it’s there. Let me zoom up. And now, you could see this little yellow X. Now, what you need to do is now that this X is visible. Take this box and drag it and position it over another tracking point at about the same location as close as you can get it rather. So, I'm going to take it and drag this box over now and I want to stick it on this cigarette. Not there, right there, okay, we frame back out.
Now that I've got that set, I'm going to go ahead and finish my track. Let’s go ahead and finish my track, by hitting my track forward button again. As you can see, it starts this track again. It’s off screen, but it continues because I have that on track and hit ESC.
Back up a little bit too where right it went off screen. Now, as you can see when I scroll through my screen here and I've seen here, right there it’s tracking along and my tracking point has went off screen. Now, it wouldn’t matter if it was off screen or obscured behind something that would work the same way. You can see, we’ve off set our tracker to another point, and it is now tracking that offset point. And we’ll get to there. The tracker will hold, hold, and hold. And then it will go off screen and then it will switch and start tracking our obscured point.
Now, that’s how you do it guys, real quick and simple, nothing to it. I hope you’ve learned something. This is Eric of Final Cut Studio saying we’ll see you next time.