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Gwyneth Paltrow and Tracy Anderson spend time with women who've overcome hardship, injury, and setbacks to triumph in the face of adversity. We'll hear their inspiring stories firsthand, whether fighting back from a career-ending injury or transforming their lives and bodies through diet and exercise.
Enter the graceful but competitive world of ballet through the eyes of executive producer, Sarah Jessica Parker. This behind-the-scenes docudrama reveals what it takes to perform on the ultimate stage, the New York City Ballet. Catch NYCB on stage at Lincoln Center.
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Explore what it means to be human as we rush head first into the future through the eyes, creativity, and mind of Tiffany Shlain, acclaimed filmmaker and speaker, founder of The Webby Awards, mother, constant pusher of boundaries and one of Newsweek’s “women shaping the 21st Century.”
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Iconic potter, designer, author and personality Jonathan Adler shares his unique perspective on creativity. Showcasing the inspiration Jonathan finds in the most unlikely people and places, Inspiration Point will add style, craft and joy to your life.
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In this Photography tutorial you will learn how to take wedding photographs and the correct lighting for this.
Tags:How to Take Wedding Photographs ,creating images,Lighting techniques,nobsphotosuccess,photography tips,photography tutorials,successful photography,wedding photographs,wedding portraits
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So again, I’ve got a spot where I’ve got lots a depth from shooting with my 70 to 200 at 200. And you’ll see to the right, I’ve got another my Studio Max Photogenic Light and I’m trigging that with my packet wizard. It’s on a battery pack. I’m using that to light my subjects. Just because it’s a little bright and I want a little bit more define lighting on them and with the background going a little bit darker, and then I’m going to burn in the claws to make them even darker than what they actually up here.
See from over bit. Okay, adjust a lower bit.
Now Richard asked me what I was using. I was using a 16 to 22 lens on my 30-D and I’ve getting in really, really, really tight and framing the frame with his face but having the guys in the background and I’m still triggering my off camera flash to my left.