Authentic voices. Remarkable stories. AOL On Originals showcase the passions that make the world a more interesting place.
EMMY NOMINATED SERIES directed by and starring Steve Buscemi is back for a second season!!! Park Bench is a local's take on the special people, places, and spirit of New York City. Through unscripted moments with average New Yorkers and Steve's celeb friends, Buscemi takes viewers on a funny, first-hand journey/misadventure, told in his unique voice.
Journey to the Draft is an organic, unscripted, docu-series that follows three college football players, all with promising professional careers. These young men attend different schools across the country and play a variety of positions on the field, but at the end of the day they share one goal:to play in the NFL. The AOL docu-series follows players Leonard Williams, Kevin White and Marcus Peters.
Connected features the personal stories of six New Yorkers woven together into one of the most intimate series ever. This groundbreaking show changes the nature of storytelling by giving each character a camera to document their lives. The result is a unique format revealing as different as everyone appears to be, we are all universally Connected.
Wake up to your world in 2 minutes.
"Stricly Come Dancing presenter Tess Daly and The Saturdays' Rochelle Humes talk to mums about their experiences of being mum. Whether the daughter of a Rolling Stone, in one of the most famous girl bands the world has ever known, or a parent coping with disability as well as family life, each mother in Being Mum shows that the feelings, challenges and rewards of motherhood are universal no matter the surroundings you find yourself in."
Jews and Money. Asian Drivers. Polish IQ. CPT… that's racist! But where do these stereotypes come from? Comedian Mike Epps explores the backstories of this humor and how history and fact often distorts into a snide – but sometimes funny – shorthand.
"INSPIRED" features celebrities, visionaries and some of the biggest newsmakers of our generation, recounting the stories behind their biggest, life-changing moments of inspiration.
In a compelling series of verite encounters, Win Win provides unique access into the minds and lives of the world’s most-celebrated entrepreneurs and athletes.
Explore what it means to be human as we rush head first into the future through the eyes, creativity, and mind of Tiffany Shlain, acclaimed filmmaker and speaker, founder of The Webby Awards, mother, constant pusher of boundaries and one of Newsweek’s “women shaping the 21st Century.”
Nicole Richie brings her unfiltered sense of humor and unique perspective to life in a new series based on her irreverent twitter feed. The show follows the outspoken celebrity as she shares her perspective on style, parenting, relationships and her journey to adulthood.
Comedy is hard, but teaching comedy to children is hilariously difficult. Kevin Nealon is giving the challenge to some world-famous comedians. As these young minds meet with comedy’s best, get ready to learn some valuable comedy lessons, and to laugh!
James Franco loves movies. He loves watching them, acting in them, directing them, and even writing them. And now, he’s going to take some of his favorite movie scenes from the most famous films of all time, and re-imagine them in ways that only James can.
The story of punk rock singer Laura Jane Grace of Against Me! who came out as a woman in 2012, and other members of the trans community whose experiences are woefully underrepresented and misunderstood in the media.
Dan Kutler: Hi! My name is Dan Kutler and now I am going to show you how to swim - Basic Breaststroke.
Male Speaker: So there are three parts to the breaststroke along with all the other stroke. And that is the catch, the pull and the recovery, I am going to break those down three right now. But just to give you a general a very simple visual that you can keep in your mind when you are thinking about how to move your arms in the breaststroke.
Think about creating an upside down heart every time you stroke. So lets breakdown this stoke part by part. The first part is the catch. That's where we grabbing onto the water. The second part is the pull, we pulling the water in towards us. And the third part is the recovery which I said earlier happens underneath the water. So when your arms are setting themselves up for the catch and pull phase, we reach, catch, pull; reach, catch, pull.
So those are the arms. Lets focus on the legs here. I want you to pay attention to my legs and watch my heels as they come up to my butt. Basically - you will see my toe is pointed out water. Here is the underwater shot of that same part of the kick and now we just snap our legs together, boom. Okay, we do it again. Bring those knees up, ankles to the butt and then snap the feet together, point your toes inclined forward. Just always want to remember, point those toes outward before you began that snap. So knees up, heels to butt toes out, snap, boom.
Alright. So let's talk about breathing now. Just like an all of the stokes well except from backstroke really, when you inhale or taking in air through our mouth and we exhale, we are exhaling through our nose and you are going to take a breath in and hold it as you glide, take a breathe in, hold it as you glide and then every time you lift your head to breathe you want to exhale right before you do. And you can see those bubbles coming right out of my mouth and nose there.
So it seems me seem little bit tricky with all these little different parts, so lets just think a three basic ways, three basic sections of the breaststroke that will help you kind of pull the rhythm together in you mind. So it's like basically, it's a pull, kick, glide, pull, kick, glide, pull kick, glide, pull and then touch the wall, and this is a pull down traditional way to push off the wall in the breaststroke. It's a pull, kick, glide, pull, kick, glide, pull, kick, glide, pull, kick, glide.
Dan Kutler: And that's there. That's the breaststroke. It is easy as that, okay so now that we know the breaststroke, we are going to move on to the backstroke.