Authentic voices. Remarkable stories. AOL On Originals showcase the passions that make the world a more interesting place.
EMMY NOMINATED SERIES directed by and starring Steve Buscemi is back for a second season!!! Park Bench is a local's take on the special people, places, and spirit of New York City. Through unscripted moments with average New Yorkers and Steve's celeb friends, Buscemi takes viewers on a funny, first-hand journey/misadventure, told in his unique voice.
Journey to the Draft is an organic, unscripted, docu-series that follows three college football players, all with promising professional careers. These young men attend different schools across the country and play a variety of positions on the field, but at the end of the day they share one goal:to play in the NFL. The AOL docu-series follows players Leonard Williams, Kevin White and Marcus Peters.
Connected features the personal stories of six New Yorkers woven together into one of the most intimate series ever. This groundbreaking show changes the nature of storytelling by giving each character a camera to document their lives. The result is a unique format revealing as different as everyone appears to be, we are all universally Connected.
Wake up to your world in 2 minutes.
"Stricly Come Dancing presenter Tess Daly and The Saturdays' Rochelle Humes talk to mums about their experiences of being mum. Whether the daughter of a Rolling Stone, in one of the most famous girl bands the world has ever known, or a parent coping with disability as well as family life, each mother in Being Mum shows that the feelings, challenges and rewards of motherhood are universal no matter the surroundings you find yourself in."
Jews and Money. Asian Drivers. Polish IQ. CPT… that's racist! But where do these stereotypes come from? Comedian Mike Epps explores the backstories of this humor and how history and fact often distorts into a snide – but sometimes funny – shorthand.
"INSPIRED" features celebrities, visionaries and some of the biggest newsmakers of our generation, recounting the stories behind their biggest, life-changing moments of inspiration.
In a compelling series of verite encounters, Win Win provides unique access into the minds and lives of the world’s most-celebrated entrepreneurs and athletes.
Explore what it means to be human as we rush head first into the future through the eyes, creativity, and mind of Tiffany Shlain, acclaimed filmmaker and speaker, founder of The Webby Awards, mother, constant pusher of boundaries and one of Newsweek’s “women shaping the 21st Century.”
Nicole Richie brings her unfiltered sense of humor and unique perspective to life in a new series based on her irreverent twitter feed. The show follows the outspoken celebrity as she shares her perspective on style, parenting, relationships and her journey to adulthood.
Comedy is hard, but teaching comedy to children is hilariously difficult. Kevin Nealon is giving the challenge to some world-famous comedians. As these young minds meet with comedy’s best, get ready to learn some valuable comedy lessons, and to laugh!
James Franco loves movies. He loves watching them, acting in them, directing them, and even writing them. And now, he’s going to take some of his favorite movie scenes from the most famous films of all time, and re-imagine them in ways that only James can.
The story of punk rock singer Laura Jane Grace of Against Me! who came out as a woman in 2012, and other members of the trans community whose experiences are woefully underrepresented and misunderstood in the media.
In this Photography tutorial you will learn how to shoot a rock band on location.
Tags:How to Shoot a rock band,creating images,Lighting techniques,music photography,nobsphotosuccess,photography a rock band,photography tips,photography tutorials,rock band photography,successful photography
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Male: What are you going to do?
Male: Okay he’s got—is that what you want to do John?
John: Yeah, I’ll bring it. Kick your light with that.
Male: Okay so I don’t have to explain it what you’re going to do here. We all—he got all this whole switch. So he’s got a meter and then we’re going to meter port and then we’re going—he’s going to put the band right. Cross front here. Shooting here with the white angle will actually get all this. We’re going to pull one item behind them facing this way and that’s going to be—its going to light them like you know oh just go look like 0033 and then let’s go look like that your album from 1975 there you go. And then we’re going to bring a 0040 and probably one light in front and we’re going to match the—this can be a little slow speech, we’re going to match the ambient with the stroke so we can pull in all that nice. Light that disappeared.
Male: You’re going to match the ambient with the stroke.
Male: Yes but this is might half a second at F8 that I make the ambient like go even brighter to stops.
Male: That’s the idea.
Male: This maybe a total a flop.
Male: Oh we’re going to find out.
Male: We’re going to find out.
Male: So John—
Male: We see that movie right along in hump. This is James doing his best mono from 1987.
Male: And not screwed up.
Male: Okay this is our—so 0128.
Male: Say again.
Male: We’ll because he going in a wide angle and he’s going really low having that on the floor was really between Jill’s legs.
Male: Which will give us some serious flare?
Male: Put it right in the middle of their backspace okay.
Male: So they actually back out the light?
Male: Exactly and we’ll just going pin later on them.
Male: Come on let’s go.
Male: So what we need to do is we need two meter reading on their back and just to see how much is going to come out there. All that John? Okay let me get a meter reading on that.
Male: Are we good? Try out.
Male: That will be a really good relay.
Male: Yap. So we had more light.
Male: Work the light are basis.
Male: I’m going to throw shadow anymore.
Male: Why are you going to see when you take first exposure here.
Male: If its not I’ll just erase it. Here’s our flush point it back.
Male: Who’s shoot is this, either John?
Male: John’s? Who is the boss?
Male: John and you tell me what to do.
Male: Yeah I know 0305.
Male: John, here’s the top aren’t you?
Male: Yeah that’s right.
Male: F8 F5 and black and dash and those lights.
Male: Don’t forget to throw ambient in there.
Male: I’ll just explain what you just did there.
Male: That about half a second exposure and I’m at 17 0516 right now and I’m going to zoom back to 40 during my exposure.