Authentic voices. Remarkable stories. AOL On Originals showcase the passions that make the world a more interesting place.
EMMY NOMINATED SERIES directed by and starring Steve Buscemi is back for a second season!!! Park Bench is a local's take on the special people, places, and spirit of New York City. Through unscripted moments with average New Yorkers and Steve's celeb friends, Buscemi takes viewers on a funny, first-hand journey/misadventure, told in his unique voice.
Journey to the Draft is an organic, unscripted, docu-series that follows three college football players, all with promising professional careers. These young men attend different schools across the country and play a variety of positions on the field, but at the end of the day they share one goal:to play in the NFL. The AOL docu-series follows players Leonard Williams, Kevin White and Marcus Peters.
Connected features the personal stories of six New Yorkers woven together into one of the most intimate series ever. This groundbreaking show changes the nature of storytelling by giving each character a camera to document their lives. The result is a unique format revealing as different as everyone appears to be, we are all universally Connected.
Wake up to your world in 2 minutes.
"Stricly Come Dancing presenter Tess Daly and The Saturdays' Rochelle Humes talk to mums about their experiences of being mum. Whether the daughter of a Rolling Stone, in one of the most famous girl bands the world has ever known, or a parent coping with disability as well as family life, each mother in Being Mum shows that the feelings, challenges and rewards of motherhood are universal no matter the surroundings you find yourself in."
Jews and Money. Asian Drivers. Polish IQ. CPT… that's racist! But where do these stereotypes come from? Comedian Mike Epps explores the backstories of this humor and how history and fact often distorts into a snide – but sometimes funny – shorthand.
"INSPIRED" features celebrities, visionaries and some of the biggest newsmakers of our generation, recounting the stories behind their biggest, life-changing moments of inspiration.
In a compelling series of verite encounters, Win Win provides unique access into the minds and lives of the world’s most-celebrated entrepreneurs and athletes.
Explore what it means to be human as we rush head first into the future through the eyes, creativity, and mind of Tiffany Shlain, acclaimed filmmaker and speaker, founder of The Webby Awards, mother, constant pusher of boundaries and one of Newsweek’s “women shaping the 21st Century.”
Nicole Richie brings her unfiltered sense of humor and unique perspective to life in a new series based on her irreverent twitter feed. The show follows the outspoken celebrity as she shares her perspective on style, parenting, relationships and her journey to adulthood.
Comedy is hard, but teaching comedy to children is hilariously difficult. Kevin Nealon is giving the challenge to some world-famous comedians. As these young minds meet with comedy’s best, get ready to learn some valuable comedy lessons, and to laugh!
James Franco loves movies. He loves watching them, acting in them, directing them, and even writing them. And now, he’s going to take some of his favorite movie scenes from the most famous films of all time, and re-imagine them in ways that only James can.
The story of punk rock singer Laura Jane Grace of Against Me! who came out as a woman in 2012, and other members of the trans community whose experiences are woefully underrepresented and misunderstood in the media.
Learn to set the sound levels in your camera properly. Learn that your 'dynamic range' has nothing to do with how quickly ...
the post-coffee you goes from excitable to annoying.
Tags:How to Record Proper Sound Levels,How to record sound,set the sound levels in your camera properly,sound recording tips,substream
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Hey guys! Ryle here in the FilmLab and I’m in kind of the weird shoot today because we’re shooting using mirrors. So, you can see me and the camera can see me, I can see myself and I can see the camera and the camera can see both me and itself. This is a camera but it’s also the camera, it’s camera that’s responsible for the shoot that you’re actually watching now. And how were shooting it is the camera can see itself through the mirrors and as result it can see me also. We’re doing this because we going to show these meters here on the side of the camera and the reason we want to show you this meters is because we’re kicking off our new series of sound recording by teaching you an important fundamental first step. See the range of sound that excess in the world that the human ear can hear is absolutely, enormous. Especially compared to the range of sound that our camera’s sound recorded can hear which is called the Dynamic Range. Dynamic Range: The ratio between the smallest and largest possible values of a changeable quantity, ie. sound. As is with this camera, if the sounds too quite it doesn’t get recorded at all and if the sounds too loud and then it causes the recorder to go and end up over load and it sounds like crap. Luckily the camera’s got some control nubs here that allow you to adjust the sound levels manually. This way you can make the quit sounds a little bit louder and more noticeable or the loud sounds less loud and less distorted. Now, here is the important part, when you recording a sounds say, well I don’t know a dialogue you want to recorded as loud as you possibly can without distorting so that you give your sound editor some option in post production. See, for reason is that will explain in a later video. If your sound editor has sounds that are too quite, he or she can’t do much with them. Whereas if the sounds you give are loud and clear, they can do whatever they want with them with little problems or difficulties. So, what you will do with camera like this is you’ve set the sound levels so that my voice as its loudest is picking at just above minus 12 decibels, which is this black square right here. Now, that gives me a bit of a caution from minus 12 decibels to 0 decibels in case I freak out and you know get a little bit loud every once in a while. Interestingly, analogue sound recorders like the Negra, which nobody really use this anymore have an advantage over digital sound recorders like our camera. Because of the way tape works, analogue overload distortion doesn’t sound not bad. So you can record dialogue at a higher level on an analogue recorder than you can on a digital sound recorder, neat. So don’t forget to record your sound as loudly and clearly as you can without getting it all distorted. Next time will talk about microphones until then, bye.