Authentic voices. Remarkable stories. AOL On Originals showcase the passions that make the world a more interesting place.
Go behind the scenes with some of the biggest digital celebrities to see what life is like when the blogging and tweeting stops.
The story of punk rock singer Laura Jane Grace of Against Me! who came out as a woman in 2012, and other members of the trans community whose experiences are woefully underrepresented and misunderstood in the media.
Documentary shorts conceived of and directed by famous actors. Jeff Garlin, Katie Holmes, Alia Shawkat, Judy Greer, and James Purefoy
Park Bench is a new kind of "talking show" straight from the mind of born and bred New Yorker and host, Steve Buscemi.
Digital influencer Justine Ezarik (iJustine) is back. After covering the world of wearable tech last season, iJustine is expanding her coverage this year by profiling the hottest tech trends across the country.
Enter the graceful but competitive world of ballet through the eyes of executive producer, Sarah Jessica Parker. This behind-the-scenes docudrama reveals what it takes to perform on the ultimate stage, the New York City Ballet. Catch NYCB on stage at Lincoln Center.
Nicole Richie brings her unfiltered sense of humor and unique perspective to life in a new series based on her irreverent twitter feed. The show follows the outspoken celebrity as she shares her perspective on style, parenting, relationships and her journey to adulthood.
Explore what it means to be human as we rush head first into the future through the eyes, creativity, and mind of Tiffany Shlain, acclaimed filmmaker and speaker, founder of The Webby Awards, mother, constant pusher of boundaries and one of Newsweek’s “women shaping the 21st Century.”
Gwyneth Paltrow and Tracy Anderson spend time with women who've overcome hardship, injury, and setbacks to triumph in the face of adversity.
Hank Azaria’s touching, humorous, and often enlightening journey from a man who is not even sure he wants to have kids, to a father going through the joys, trials and tribulations of being a dad.
ACTING DISRUPTIVE takes viewers inside the businesses and passion projects of Hollywood’s top celebrities.
Follow Scott Schuman, the Sartorialist, from the streets of NYC to the capitals of Europe on his quest to photograph and document the best in culture and fashion.
A digital camera is a great tool for spending creative quality time. This video guides you through taking pictures of objects.
Tags:How to Photograph Objects,car photography tips,digital camera operation,Digital Photography,education 2000,how a digital camera works,how to take pictures of objects,object photography tips,photographing objects
Grab video code:
How to Photograph Objects
Okay, once again, we’re discussing light and personality, how to emphasize things, how to really bring things out and make them handsome, beautiful, sellable. Now, I’m going to turn around. We’ve got the car here, I’m coming down.
Okay, we know what the car is, it’s a Ford. But I’ve got the cone there, I’ve got the trailer over there, I’ve got other things in the background, I got these cars here, it distracts. This car looks like any other car. Let’s do something, let’s bring it into the light and let’s see the difference.
Okay, we got a little bit different light, we got a little bit different background. Remember before when I got out with the kids and the puppy, well I’m going to get the personality of the car by coming down on this angle. I’m going to walk around over here a little bit, come on down. Let’s get the personality again. It’s a car, it represents us. Okay, we got it.
We’ve just sold your car.
Let’s review a certain theme here and that’s the theme of personality. Everything has a personality, cars, dogs, people obviously where you live, but cars have personalities too. So here’s an example of what not to do. We’ve taken an angle where we’re standing above it. Remember how we moved our angle with the kids and the flowers before? We’ve got the distracting cone in the background, it’s washed out. There’s a trailer to the side and there’s another car to the side. There’s nothing about this car that stands out. Why would anyone want to buy this car?
We’ve worked on the angle a little bit here, we’ve come down a little but lower, we’ve eliminated one of the cars to the side, we turned it slightly, we’re beginning to get a little bit more of the car’s lines but it’s still not working.
Well, what we can do here is come down a little bit lower again, try a slightly different angle. What we’ve done is we stepped back a little bit, we we’d have the picture more horizontal. This increases the lines of the car. Now the shade which was giving us trouble before was turned to our advantage. What it’s done is it’s picked up the slight blue tones of the pavement which emphasizes the color of the car. The green is a little bit dark and it kicks it up a little bit. We’ve got the angle here but we’re still dealing with a washout background and we still have those disconcerting objects in the background. Let’s work a little further.
Now, we’re showing the personality of the car. We’ve stood up a little bit but we’ve included the environment behind it. We have the house, we’ve got the brick to the side, we’re showing a certain neighborhood. And also if you notice to the left, we have the American flag. Now, that little bit of color kicks it up a little bit. We’ve got our washed out sky, the background is a little bit washed out but the flag is an icon that always catches our attention and it’s flapping towards the car. We’ve got the lines there. It’s beginning to work, let’s take it a bit further.
Alright, we’ve come exactly down on the ground, we’re looking at it pretty much at eye level. The flag is flapping in the background there, it’s pointed to the length of the car. Now another thing we did was we turned the wheels a little bit. This gives a sense of motion. It’s turning towards. There are beautiful lines to the car. It’s still a little bit washed out but we’re getting more personality here.
It’s coming together now. What we’ve done is we’ve come up a little bit closer. We’ve got the background, we’ve begun to work with the light a little bit. It isn’t as washed out as much. We’ve got some interesting pinks in there too, we’ve got the flag flapping. And again, it’s pointing towards the car. What we’ve done also is that we’ve included a little bit more of the house and this almost gives a sense of motion. We had the flag pointing to the car, the car moving and then the brick gives a sense of moving off to the left.