Authentic voices. Remarkable stories. AOL On Originals showcase the passions that make the world a more interesting place.
Go behind the scenes with some of the biggest digital celebrities to see what life is like when the blogging and tweeting stops.
The story of punk rock singer Laura Jane Grace of Against Me! who came out as a woman in 2012, and other members of the trans community whose experiences are woefully underrepresented and misunderstood in the media.
Documentary shorts conceived of and directed by famous actors. Jeff Garlin, Katie Holmes, Alia Shawkat, Judy Greer, and James Purefoy
Park Bench is a new kind of "talking show" straight from the mind of born and bred New Yorker and host, Steve Buscemi.
Digital influencer Justine Ezarik (iJustine) is back. After covering the world of wearable tech last season, iJustine is expanding her coverage this year by profiling the hottest tech trends across the country.
A 12 episode documentary series following 5 startup companies competing in the 2013 San Francisco TechCrunch Disrupt Startup Battlefield as they fine tune their products and eventually present in front of a panel of judges in hopes of winning $50,000 in funding.
Enter the graceful but competitive world of ballet through the eyes of executive producer, Sarah Jessica Parker. This behind-the-scenes docudrama reveals what it takes to perform on the ultimate stage, the New York City Ballet. Catch NYCB on stage at Lincoln Center.
Nicole Richie brings her unfiltered sense of humor and unique perspective to life in a new series based on her irreverent twitter feed. The show follows the outspoken celebrity as she shares her perspective on style, parenting, relationships and her journey to adulthood.
Explore what it means to be human as we rush head first into the future through the eyes, creativity, and mind of Tiffany Shlain, acclaimed filmmaker and speaker, founder of The Webby Awards, mother, constant pusher of boundaries and one of Newsweek’s “women shaping the 21st Century.”
Gwyneth Paltrow and Tracy Anderson spend time with women who've overcome hardship, injury, and setbacks to triumph in the face of adversity.
Hank Azaria’s touching, humorous, and often enlightening journey from a man who is not even sure he wants to have kids, to a father going through the joys, trials and tribulations of being a dad.
ACTING DISRUPTIVE takes viewers inside the businesses and passion projects of Hollywood’s top celebrities.
Now let's take a look at your Color Settings inside of Photoshop CS3 and exactly what you need to in order to get your color to be the best it can be here inside the program. So in order to do that I am going to come up to the Edit Menu and I am going to chose Color Settings. This nice dialog box is going to appear on our screen. By default, you should see something like North America General Purpose 2 in your Settings right here.
So that's okay, we don't need to change anything there, but I am going to ask you to change your Working RGB Space. So by default, it is set to RGB and then a whole bunch of letters and numbers. What I am actually going to have you do is change this to Adobe RGB (1998). By doing this, what we are going to be doing is we are actually going to be expanding the total range of this color space. So we are actually working in a wider dynamic range of colors inside of Photoshop. It is just going to help us to better see our images on the screen.
Now I am going to tell you also to leave your CMYK settings alone. Unless you know the specific CMYK space that your printer is going to use for this particular setting, you don't need to touch that. That is a big thing to remember. You don't need to touch that at all. So we are going to leave that alone and I am going to come over here.
I am going to check More Options. When I do that, you are actually going to see this new set of options appear down here. I am going to leave the Engine set alone and I am going to change my Intent to Perceptual. I am changing this because the default of Relative Colorimetric is not a good idea for when you are working with continuous tone images.
Relative Colorimetric actually attempts to find the closest match to any given color when displaying it on the screen. That's a bad choice for digital imaging because we want to see on screen exactly what is coming off of our printer. By changing the Intent to Perceptual, we are actually going to eliminate both the on screen preview problem and we are also going to eliminate banding and stair-stepping when we actually print the finished product.
So this is just a better choice for continuous tone images and it is a whole lot better than any of the other intents that we have here inside of the Photoshop program. Now that we have got all of our color settings exactly where they need to be, you can go ahead and either click OK or hit Enter or Return on your keyboard to commit to those changes.