Authentic voices. Remarkable stories. AOL On Originals showcase the passions that make the world a more interesting place.
EMMY NOMINATED SERIES directed by and starring Steve Buscemi is back for a second season!!! Park Bench is a local's take on the special people, places, and spirit of New York City. Through unscripted moments with average New Yorkers and Steve's celeb friends, Buscemi takes viewers on a funny, first-hand journey/misadventure, told in his unique voice.
Journey to the Draft is an organic, unscripted, docu-series that follows three college football players, all with promising professional careers. These young men attend different schools across the country and play a variety of positions on the field, but at the end of the day they share one goal:to play in the NFL. The AOL docu-series follows players Leonard Williams, Kevin White and Marcus Peters.
Connected features the personal stories of six New Yorkers woven together into one of the most intimate series ever. This groundbreaking show changes the nature of storytelling by giving each character a camera to document their lives. The result is a unique format revealing as different as everyone appears to be, we are all universally Connected.
Wake up to your world in 2 minutes.
"Stricly Come Dancing presenter Tess Daly and The Saturdays' Rochelle Humes talk to mums about their experiences of being mum. Whether the daughter of a Rolling Stone, in one of the most famous girl bands the world has ever known, or a parent coping with disability as well as family life, each mother in Being Mum shows that the feelings, challenges and rewards of motherhood are universal no matter the surroundings you find yourself in."
Jews and Money. Asian Drivers. Polish IQ. CPT… that's racist! But where do these stereotypes come from? Comedian Mike Epps explores the backstories of this humor and how history and fact often distorts into a snide – but sometimes funny – shorthand.
"INSPIRED" features celebrities, visionaries and some of the biggest newsmakers of our generation, recounting the stories behind their biggest, life-changing moments of inspiration.
In a compelling series of verite encounters, Win Win provides unique access into the minds and lives of the world’s most-celebrated entrepreneurs and athletes.
Explore what it means to be human as we rush head first into the future through the eyes, creativity, and mind of Tiffany Shlain, acclaimed filmmaker and speaker, founder of The Webby Awards, mother, constant pusher of boundaries and one of Newsweek’s “women shaping the 21st Century.”
Nicole Richie brings her unfiltered sense of humor and unique perspective to life in a new series based on her irreverent twitter feed. The show follows the outspoken celebrity as she shares her perspective on style, parenting, relationships and her journey to adulthood.
Comedy is hard, but teaching comedy to children is hilariously difficult. Kevin Nealon is giving the challenge to some world-famous comedians. As these young minds meet with comedy’s best, get ready to learn some valuable comedy lessons, and to laugh!
James Franco loves movies. He loves watching them, acting in them, directing them, and even writing them. And now, he’s going to take some of his favorite movie scenes from the most famous films of all time, and re-imagine them in ways that only James can.
The story of punk rock singer Laura Jane Grace of Against Me! who came out as a woman in 2012, and other members of the trans community whose experiences are woefully underrepresented and misunderstood in the media.
Finally we'll take an in-depth look at the components of the project and to manipulate them.
Tags:How to Manipulate the Components of the Workspace,adobe,after effects,animation,navigation,total training
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If I will open up the Photoshop folder, I can see different Photoshop’s sources that are used inside this project. Here I click on twine crop PSD. In the top of the project pane, I can see a small thumbnail view of what this image looks like. Additionally, I can see the name of the Photoshop document here. It is a small arrow, and an indication that this Photoshop source is used four times throughout this project. The small arrow can be click revealing each one of those four places, where this is used. Clicking again closes up that window.
Below it, I can see the size and pixel aspect ratio of this Photoshop document. Then below, there is an indication that is colored up, is million of colors, plus meaning, plus an alpha channel. The alpha channel is now interpretive as a straight alpha. If I move down, and choose AB Snowflake Movie, instead of seeing the information for the steel, I see information for the movie. Here I can see that it is 360 by 243 pixels, square pixel ratio. It is six seconds in duration and running at 30 frames per second. It is million of colors, but without the plus, which indicates there is no alpha channel on this movie.
Last, is photo jpeg, the compression codec used to create this movie. At the top, I see it is called AB Snowflake Movie. Clicking on the small arrow reveal that it is not used. Similarly, if we take a look at our music, we can take a look here, by clicking on either one of these AIS, and seeing that the thumbnail at the top does not display video. Zero by zero pixels means, there is no video to display instead; we have got seven seconds of audio. We have a small icon here for a way form, and we see that the audio has been recorded at 48kilohertz, 16bt and stereo pair.
We knew that after effects CS3 is the ability to rename our source. We will click on the source AB Snowflakes Movie. With that click, we use the return key on the keyboard to open up the dialogue box to rename the source. It is important to know, that this can be a very confusing as a beginner. But, you make it a file that has a rename source in it. We will call this- Digital Snowflake and uses enter in the number path to accept it.
In the source column is called Digital Snowflake that a movie. But, if we look at the file path, we will see that it is actually coming from a source, called AB Snowflakes that a movie.