Authentic voices. Remarkable stories. AOL On Originals showcase the passions that make the world a more interesting place.
Gwyneth Paltrow and Tracy Anderson spend time with women who've overcome hardship, injury, and setbacks to triumph in the face of adversity. We'll hear their inspiring stories firsthand, whether fighting back from a career-ending injury or transforming their lives and bodies through diet and exercise.
Enter the graceful but competitive world of ballet through the eyes of executive producer, Sarah Jessica Parker. This behind-the-scenes docudrama reveals what it takes to perform on the ultimate stage, the New York City Ballet. Catch NYCB on stage at Lincoln Center.
The Future Of Us is a powerful original series from television personality, futurist, filmmaker and techno-philosopher, Jason Silva. In this series, Silva shares his excitement around recent discoveries and inventions.
ACTING DISRUPTIVE takes viewers inside the businesses and passion projects of Hollywood’s top celebrities.
They say every picture tells a story and AOL On's new original series My Ink proves it. Travel along as some of the world's greatest athletes bring their tattoos to life through exclusive interviews and visits to their favorite tattoo parlors.
Explore what it means to be human as we rush head first into the future through the eyes, creativity, and mind of Tiffany Shlain, acclaimed filmmaker and speaker, founder of The Webby Awards, mother, constant pusher of boundaries and one of Newsweek’s “women shaping the 21st Century.”
Discover crowdfunded small business success stories with author, comedian, and entrepreneur Baratunde Thurston.
Go behind-the-scenes with racing's hottest, young talent, 17-year-old Dylan Kwasniewski, as he aspires to make it in the #1 motorsport in America – NASCAR
Follow Scott Schuman, the Sartorialist, from the streets of NYC to the capitals of Europe on his quest to photograph and document the best in culture and fashion.
Iconic potter, designer, author and personality Jonathan Adler shares his unique perspective on creativity. Showcasing the inspiration Jonathan finds in the most unlikely people and places, Inspiration Point will add style, craft and joy to your life.
Serving Innovation gives a fresh look into the stories and passions that motivate some of the most innovative tastemakers in America.
A documentary directed by Alex Winter exploring the Napster downloading revolution; the kids who created it, the bands and businesses that were affected and its impact on the world at large.
Nicole Richie brings her unfiltered sense of humor and unique perspective to life in a new series based on her irreverent twitter feed. The show follows the outspoken celebrity as she shares her perspective on style, parenting, relationships and her journey to adulthood.
I’m going to tie this aquatic wasp. Before I get started, we’re going to use a pre-wrap bandage. Pre-wrapping undertaking is one of those really called. It comes in a roll similar to this right here. This is s a little small used - of it. This is an natural color comes in it and it is kind of close sole foam. And we just take and cut off a piece and you could roll it up through that point. I’m just going take it and make it for different size body size 14, let’s say half inch or so wide strip, unfold in time with that.
Now, when dyeing this material, you can use a red dye at home. It’s very simple. If you had taken out for the roll to dye it, it dyes really, really quick, really fast. So you don’t need a lot of the dye just don’t put in there real quick and pull it out at color that you want. I have used this particular material on this when this is the only thing I can get to take the wine colors I’ve after for this particular wasp pattern. That’s a great drop by material there. And we’re going to start with—we had the black thread, this is size 14, 7957 B. And we’re bringing thread days to the barb, comeback to the point so I use this turn all over.
We’ll make this kind of hold it up a little bit, laid on the top, just make a wrap. And I stretch this material and wrap the thread back just a little bit. Then, I can pull this up tight and cut it and I’ll have a great big tie in there. It’s really small, really fine. And we’ll just bring the thread up here all the way for a minute and three stretches in this material, the last stretch of two ties you can't break it. But you change the taper and the texture of this material by stretching just the different intentions. So I’m going to come down around the bend just a little bit, backup through.
And as you can see from this point, the stuff is really a bright shining materials kind of—sort of—it has lot as the same effect as peacock quill has attracted type of material. That’s another reason I like it really, really well. Just keep working in this until we build up the abdomen while it’s fairly heavy. Let’s go get that wasp shape to it, back the thread up, we’ll tie that up about mid-shank when you tie this material here. As you can see, when you stretch and clip this hardly anything left develop on here.
And we’re clamping the same thing that we do before in building kind of a midsection here out of the black thread. And I want to make sure I have a definite segmentation at that point. And for the— I use the natural Mallard’s flank feather. And when I go through this, well, it’s like all three fibers precise. It seems to be about the best combination. I leave him right on the feather when I tie on my loop on this way. It was flip those three for scissors. Just turn it around. And if you hold at this where I’m angled on you can take out these fibers and you have complete control over the fibers and the feather even keeping them all together. Well, it take it—this way. When I stroke this back kind of pull them together and then we’ll lay those on top of the hook, pull it back with the thread to about just stopping on the abdomen there. Trim it short.
And I will do the little flank and take the feathers. This is where we control everything. I’m going to pull it up and I’m going to use this to work my loops and end this turning the - size. And what about this size have the abdomen I don’t really want the size or the shape. So I can judge my size from there, hold that off. Tie them down and work with the thread towards back as well I do. Trim that off. I really want this to lie down over the back into the fly so we just turn them back and tie now with a couple of turns. Take and split to each side. You can take the scissor points at this time if you give amount of shape just stick it in there, just kind of push against the scissor and that will open your loops back to where you want them. If you can get in between that is, there we go. Just going to push on, opens the loops backup, there are nice little loops here.
We’re going to finish tying down the spots and we have definite segmentation from this high end to half full. Very similar to the pattern we can take care to that. —with the hackle, just stripping, clean stem to work with. And then you're given a quarter of a 16th of an inch from the way, just tie this stem in, working forward and just tied off. I’m going to wrap hackle forward to a bottom maybe of a 1/16 of an inch, 1/18 of an inch maximum. Tie that off. Trim that out of the way. There you go. And we’re going to take another piece of the pre-wrap material. Just this one here, I’ve got actually just a little bit smaller, a little thinner, a little smaller heads. I don’t need quite for big wide piece that I used on the back. Lay on the top, tie it in, stretch it, take a couple of wraps, hold this up and stretch it. Wrap forward. Well, I just build this small little ball here. This one here I can keep more of a squared of tape—we’re just going too be squared off with this material. It’s there to make the quite exact bolder. It’s truly tough to explain down there, there we go. Tie that off. I’ll take the—finish this okay? This is what my head may turn off when I trim this hackle flat again. When you see the definite black segmentation between the body here—we definitely want that so we won't trim all the stuff here. It is three inches long out again.