Authentic voices. Remarkable stories. AOL On Originals showcase the passions that make the world a more interesting place.
Nicole Richie brings her unfiltered sense of humor and unique perspective to life in a new series based on her irreverent twitter feed. The show follows the outspoken celebrity as she shares her perspective on style, parenting, relationships and her journey to adulthood.
Comedy is hard, but teaching comedy to children is hilariously difficult. Kevin Nealon is giving the challenge to some world-famous comedians. As these young minds meet with comedy’s best, get ready to learn some valuable comedy lessons, and to laugh!
James Franco loves movies. He loves watching them, acting in them, directing them, and even writing them. And now, he’s going to take some of his favorite movie scenes from the most famous films of all time, and re-imagine them in ways that only James can.
The story of punk rock singer Laura Jane Grace of Against Me! who came out as a woman in 2012, and other members of the trans community whose experiences are woefully underrepresented and misunderstood in the media.
Executive produced by Zoe Saldana (who will be the subject of one episode), a celebrity travels back to their hometown to pay tribute to the one person from their past (before they were famous) who helped change their life by giving them an over-the-top, heart-felt surprise.
Explore what it means to be human as we rush head first into the future through the eyes, creativity, and mind of Tiffany Shlain, acclaimed filmmaker and speaker, founder of The Webby Awards, mother, constant pusher of boundaries and one of Newsweek’s “women shaping the 21st Century.”
Enter the graceful but competitive world of ballet through the eyes of executive producer, Sarah Jessica Parker. This behind-the-scenes docudrama reveals what it takes to perform on the ultimate stage, the New York City Ballet. Catch NYCB on stage at Lincoln Center.
Park Bench is a new kind of "talking show" straight from the mind of born and bred New Yorker and host, Steve Buscemi.
Go behind the scenes with some of the biggest digital celebrities to see what life is like when the blogging and tweeting stops.
Digital influencer Justine Ezarik (iJustine) is back. After covering the world of wearable tech last season, iJustine is expanding her coverage this year by profiling the hottest tech trends across the country.
Documentary shorts conceived of and directed by famous actors. Jeff Garlin, Katie Holmes, Alia Shawkat, Judy Greer, and James Purefoy
A 12 episode documentary series following 5 startup companies competing in the 2013 San Francisco TechCrunch Disrupt Startup Battlefield as they fine tune their products and eventually present in front of a panel of judges in hopes of winning $50,000 in funding.
Gwyneth Paltrow and Tracy Anderson spend time with women who've overcome hardship, injury, and setbacks to triumph in the face of adversity.
Apple Shake 4.1 tutorial, this video will focus on how to make a lightsaber.
Tags:How to Make a Lightsaber - Shake 4.1,apple shake,apple shake effectstutorial,apple software,apple tutorials,appleshakerguru,make a lightsaber,software tutorials
Grab video code:
Okay guys here we go. I want to just do the first seven frames. I want to start on frame four. So, the very first thing we need to do is add our core mattes and our palm mattes. Now, I'm going to make my core matte and my palm matte while viewing the footage. So, I want to go into my image tab and I'm going to select two Autoshapes. Now, we have two auto shapes. Now I'm going to bring my Obi-Wan footage back in, load my RotoShape parameters up, so I can go in here and work on this and I'm going to go in here and make a mask for our light saber. Just find a good spot to do this.
Now, it’s looking pretty good right there. So, I’m going to zoom in, then, I’m going to add three points which are called the control vertices at the base of the hilt. I’m going to continue down the link of the hilt. I’m going to continue down the link of the blade and I’m going to add another point near over his leg. Then, I ‘m going to add three more points at the tip of the blade.
So, to give it that kind of beveled look. So, let’s go ahead and start making our mask. So, I’m going to click and we’re going to do this rough first and I want to go in here and fix all this and add another point right here. We’re going to import like that and another point right here and we’ll close this shape and now I’m going to go in here and adjust this. Okay, that is our first little RotoShapes for our first lightsaber, okay.
And now, we’re going to make our palm matte which is what we’re going to use it at the base of the hilt to make it kind of glow and blend where it’s kind of connect in here. So, I’m going to select my other RotoShape parameter and load them in. I’m going to go and make an egg shaped mask around my hilt here like this. I’m going to click and I’m going to bring it up here click. You see the shape that I’ve got here going, good.
So now, we can go in here and line this up. So, just bear with me while I work on this Rotoshape, this why I’m only doing seven frames because it could take a while if—you know what I’m saying, anybody who experience this before knows. Okay, now we have our palm matte ready.
Now, what we got to do is begin animating these mattes. So, this is what’s going to be a tedious part. RotoScope and mattes, key frame and Rotoscope shapes is kind of a bitter peered peeled to swallow I guess. So, let me just turn on my key frame button here and we’ll start with our palm matte here our little one and I’m going to just go backwards frame by frame like this and I’m going to drag it and make sure everything lines up. And, I’m just going to go to frame by frame by using my arrow keys and set in this and I have a frame, first frame, second frame, third frame as you can see its falling along as I do this, and go in here and finish adjusting this up. We’re already on frame props, so we’re almost done.
Get in frame six. Almost done already, I went faster than I unexpected. Of course this is just doing it fast, I expect you all and take much more care than what I’m doing here as always. The frame seven, lets go ahead and adjust the last frame.
So, okay now, we have our seven frames, our palm matte is animated. Now, what we’re going to do is I want to zoom out and I’m going to go to frame three where I started last time and I’m going to select my core matte and we’re going to go and anime our core matte. Make sure your key frames buttons on and we’ll go backwards. \
Now, you don’t have to widen your lightsaber just because it’s blurring like it is. Always keep everything the same, and that’s why I’ll put these two points in the middle for a greater adjustment. And, you want to make lightsaber too all for one, but this is just a fast job for me here on YouTube just to get you guys the idea how to do it. To frame one, I mean, it gets a little tedious when you get into a Motion Blur aspect of it, but it’s all that you already ever get a perfect shot, rarely ever. If I can count on one hand just about the number of perfect shots, definitely I got to actually work with when it comes to compose or anything as for that matter. There you go and okay frame three is off, so we’re going to go in and fix it.
Frame four, if you drag and select the box around it, you can move all your points at once, certain points that you want to move you know. We’re almost done with our garbage matting already. This is frame five, so we’ve got two more frames to go and that garbage matting, Rotoscoping. Frame six, so it looks good and our last frame, frame seven, let’s go ahead and fix this up.
Okay now, we finally have our Rotoscope shapes in place. Now, what we’re going to want to do is we’re going to kind of have to– there’s four layers to the saber, an inner and an outer core and an inner outer colored glow and each layer is kind of created by blurring the core matte progressively more each time.
Now that we’ve gone through the other test, I’m kind of creating and animating that stinking Rotoshape that I load. I guess, we’re going to add a blur to it. I guess we’re going to start with the–well I’ll screen these two Rotoshapes together before we do anything. Before I go any further, screen and we’re going to screen them together like that.
Now remember, the little went over top of the big and we can’t be able hardly tell it. So let’s go and select our screen node here and I’m going to set the color tab and I’m going to add a mult node like that, rig0ht there and I want to change some of my color here. I want to change about 0.3. Now, it gives a kind of yellowish tint which is what we want for our core—