Authentic voices. Remarkable stories. AOL On Originals showcase the passions that make the world a more interesting place.
Go behind the scenes with some of the biggest digital celebrities to see what life is like when the blogging and tweeting stops.
The story of punk rock singer Laura Jane Grace of Against Me! who came out as a woman in 2012, and other members of the trans community whose experiences are woefully underrepresented and misunderstood in the media.
Documentary shorts conceived of and directed by famous actors. Jeff Garlin, Katie Holmes, Alia Shawkat, Judy Greer, and James Purefoy
Park Bench is a new kind of "talking show" straight from the mind of born and bred New Yorker and host, Steve Buscemi.
Digital influencer Justine Ezarik (iJustine) is back. After covering the world of wearable tech last season, iJustine is expanding her coverage this year by profiling the hottest tech trends across the country.
A 12 episode documentary series following 5 startup companies competing in the 2013 San Francisco TechCrunch Disrupt Startup Battlefield as they fine tune their products and eventually present in front of a panel of judges in hopes of winning $50,000 in funding.
Enter the graceful but competitive world of ballet through the eyes of executive producer, Sarah Jessica Parker. This behind-the-scenes docudrama reveals what it takes to perform on the ultimate stage, the New York City Ballet. Catch NYCB on stage at Lincoln Center.
Nicole Richie brings her unfiltered sense of humor and unique perspective to life in a new series based on her irreverent twitter feed. The show follows the outspoken celebrity as she shares her perspective on style, parenting, relationships and her journey to adulthood.
Explore what it means to be human as we rush head first into the future through the eyes, creativity, and mind of Tiffany Shlain, acclaimed filmmaker and speaker, founder of The Webby Awards, mother, constant pusher of boundaries and one of Newsweek’s “women shaping the 21st Century.”
Gwyneth Paltrow and Tracy Anderson spend time with women who've overcome hardship, injury, and setbacks to triumph in the face of adversity.
Hank Azaria’s touching, humorous, and often enlightening journey from a man who is not even sure he wants to have kids, to a father going through the joys, trials and tribulations of being a dad.
ACTING DISRUPTIVE takes viewers inside the businesses and passion projects of Hollywood’s top celebrities.
Hi! This is my client Roxanne, and Roxanne isn't going to be putting on the red light tonight. Ms. Roxanne has a problem. She has Alopecia Areata. If we take a look at the top of her head, you can see that basically there is some hair growing there, but it's certainly not enough to support any kind of a hairstyle.
Luckily, she does have a little bit of a hairline, so if we wanted to do something that was brushed back off of her face, we would construct the unit so it comes just a little bit behind the front hairline. So this hair can be pulled up, brushed into this style. As long as the hair color and texture is matched, you shouldn't have a problem.
Roxanne does have a hairline, but it is very, very, very faint. So what I am going to do is, because this style is going to be brushed forward, onto her face, I am going to bring the unit right up to the hairline, and then I am going to stop it right at the crest of the roll on either side.
Then I am going to continue it, in a downward fashion, as we get to the back of the head. This should measure, from the front to the back, less than 9 inches, and from side-to-side, less than 7 inches. Larger than that will go to a higher price range.
The first thing I am going to do with Roxanne is to make mold of her head. I am going to start by stretching contour analysis material over the top of her head, very, very tight to the scalp, so that I get a skin tight fit. Ultimately, my mold will be exactly the same shape and contour of her head. On this contour analysis material I will trace the outline of where her hairline should be and extend back to the head, showing exactly the shape and size of the hair piece that I am going to be fabricating.
After I am done marking the contour analysis material, I will then take 4 inch wide strips of plaster of Paris soaked gauze, which can be purchased at an art supply store or a medical supply store. This is the material they use to make casts.
Now, I will place it in three layers on top of the contour analysis material, pressing tightly to the head, so that I do have an exact form of her head.
When the mold is dried, I will remove it, remove the contour analysis material, and the markings that I put on, it will transfer it to the inside of the mold.
Then I will take the mold, and I will remark it with the magic marker, making very, very precise lines, showing where the perimeter is and where any changes in the material are.
Now, I have really got to understand what kind of materials that you have available to you. There's basically four types: there's nylon and polyester, which are both meshes, and there's silicon and polyurethane, which are both skin tight materials.