Authentic voices. Remarkable stories. AOL On Originals showcase the passions that make the world a more interesting place.
Go behind the scenes with some of the biggest digital celebrities to see what life is like when the blogging and tweeting stops.
The story of punk rock singer Laura Jane Grace of Against Me! who came out as a woman in 2012, and other members of the trans community whose experiences are woefully underrepresented and misunderstood in the media.
Documentary shorts conceived of and directed by famous actors. Jeff Garlin, Katie Holmes, Alia Shawkat, Judy Greer, and James Purefoy
Park Bench is a new kind of "talking show" straight from the mind of born and bred New Yorker and host, Steve Buscemi.
Digital influencer Justine Ezarik (iJustine) is back. After covering the world of wearable tech last season, iJustine is expanding her coverage this year by profiling the hottest tech trends across the country.
A 12 episode documentary series following 5 startup companies competing in the 2013 San Francisco TechCrunch Disrupt Startup Battlefield as they fine tune their products and eventually present in front of a panel of judges in hopes of winning $50,000 in funding.
Enter the graceful but competitive world of ballet through the eyes of executive producer, Sarah Jessica Parker. This behind-the-scenes docudrama reveals what it takes to perform on the ultimate stage, the New York City Ballet. Catch NYCB on stage at Lincoln Center.
Nicole Richie brings her unfiltered sense of humor and unique perspective to life in a new series based on her irreverent twitter feed. The show follows the outspoken celebrity as she shares her perspective on style, parenting, relationships and her journey to adulthood.
Explore what it means to be human as we rush head first into the future through the eyes, creativity, and mind of Tiffany Shlain, acclaimed filmmaker and speaker, founder of The Webby Awards, mother, constant pusher of boundaries and one of Newsweek’s “women shaping the 21st Century.”
Gwyneth Paltrow and Tracy Anderson spend time with women who've overcome hardship, injury, and setbacks to triumph in the face of adversity.
Hank Azaria’s touching, humorous, and often enlightening journey from a man who is not even sure he wants to have kids, to a father going through the joys, trials and tribulations of being a dad.
ACTING DISRUPTIVE takes viewers inside the businesses and passion projects of Hollywood’s top celebrities.
At the heart of every movie is performance; the interpretation of the words on the page into living breathing characters. ...
But how do you construct a movie that actors can sink their teeth into? Featuring interviews with Miranda Otto and Jeremy Sims.
Tags:How to Create a Movie that Actors can Sink Into wi,celtx,filmmaking,pre-production,screenplay,screenwriting,scriptwriting
Grab video code:
Male 1: Video creating a short film or feature film of animation or documentary cinema, first person shoot a game, whatever it is. Character performers will beat its very hard. The script is all dull or they are all plotted because after finding characters. He is literally missing the plot.
Jeremy Sims: What is the most important thing of acting is the ability to believe that you are someone else without thinking about. Kids have it, inspires an adults, some adults have it and other ones as soon as you think about, you are gone.
Male 1: For that characters, you got to experiment a video, without performances, you got to barren landscape or ponder a social theory. Characters carry story and performances read life in the characters.
Male 2: In the most benign document, instructional film needs interesting motivated characters. Great stories are filled by action and told and reveal instruction. This is action not just as a fight scenes that seems where people want something from someone else and fight for it. The story must be alive in human drama. For actors, to embrace that drama and to leave a great performances.
(Movie played) The girl being chased down at dark corridor is certainly dramatic but what makes it powerful and effecting for the viewer, this is what she wants. How she gets there. How badly she wants it. And who the hell is she running from or to. Running for character is about running for action. Because actors can play in action. Is all the actions you write, the bold the performances is can be.
Male 1: So, how do you want it? how do you like the performances. Two screen writers think great performances come to great dialogue. They do not? They come from what is between the words. What is between the dialogue. Great performances come from great actions and great characters.
Jeremy Sims: Here the dialogue is not necessary. The most important aspect of it, is more the sequence of the scenes and the idea behind whether controlling idea of the film is.
Miranda Otto: I think, sometimes in film we get into a certain vocabulary. Where certain things people think that they have to react to certain ways. You know, my dog died I must cry, you know, and I love it when someone really tap into something, and it is completely different to what you would expect. But it is incredible true and that that is the things I really look for.
Now, when I write script. It is so much of it is about being read by people who can fund it and everything gets a bit over explained, like this not a lot of room left. I like look for room to move.
Male 2: You must be real fascinated by your characters, even if the plot is line on dim moments. The strength of your creations can make everything else work.
Give your actors complex characters and they will surprised with stuff that you can never imaging.
Jeremy Sims: It is pretty amazing, what happens when somebody else comes to play while that you think could not be played by anybody else and they bring sorts of other qualities to it that you really have not expect it.
Oh, God. I just worked on a project that had the best dialogue I have ever spoken, which is called “Rough Mind” and Phillips say we have to directed it and Andrew up to writing. It just writes, just brilliant dialogue and who knows, how you write good dialogue. Sometimes you just waited and you got “Wow! This really sings.”
Male 2: In order to care for the characters, we need to move mention about them and their setting.
Actors loved to know details. This back story biography that gives the characters there circumstances. It makes the plan the character far more specific that needs to brave the choices.
Miranda Otto: Someone was asking me, what was hang us around, something like, you know, I never said the directors will fuck you up. You know, 15% work in any way and 5% will really help you. That is not very nice of doing it.
Male 2: Do not be afraid of actors. They will bring your characters to life. Hopefully in ways, that you never expect it.
The kid is unimaginable without being incredible touching relationship between the tramp and the kid. It is base on real human interaction and sublime this duty performances. That is what makes it so powerful even now.
Male 3: We have reach this page and follow a little bit.
Male 1: Work on a little bit.
Male 3: Ah, the, it was on this next exercise.
Male:1 Oh, Yes. Male 3: When will we do that as the running or what you think?
Male 1: Even bring anyway or even zombies in the arts. Otherwise why do you care about them.