Authentic voices. Remarkable stories. AOL On Originals showcase the passions that make the world a more interesting place.
Journey to the Draft is an organic, unscripted, docu-series that follows three college football players, all with promising professional careers. These young men attend different schools across the country and play a variety of positions on the field, but at the end of the day they share one goal:to play in the NFL. The AOL docu-series follows players Leonard Williams, Kevin White and Marcus Peters.
Connected features the personal stories of six New Yorkers woven together into one of the most intimate series ever. This groundbreaking show changes the nature of storytelling by giving each character a camera to document their lives. The result is a unique format revealing as different as everyone appears to be, we are all universally Connected.
Wake up to your world in 2 minutes.
Jews and Money. Asian Drivers. Polish IQ. CPT… that's racist! But where do these stereotypes come from? Comedian Mike Epps explores the backstories of this humor and how history and fact often distorts into a snide – but sometimes funny – shorthand.
"INSPIRED" features celebrities, visionaries and some of the biggest newsmakers of our generation, recounting the stories behind their biggest, life-changing moments of inspiration.
In a compelling series of verite encounters, Win Win provides unique access into the minds and lives of the world’s most-celebrated entrepreneurs and athletes.
Explore what it means to be human as we rush head first into the future through the eyes, creativity, and mind of Tiffany Shlain, acclaimed filmmaker and speaker, founder of The Webby Awards, mother, constant pusher of boundaries and one of Newsweek’s “women shaping the 21st Century.”
Nicole Richie brings her unfiltered sense of humor and unique perspective to life in a new series based on her irreverent twitter feed. The show follows the outspoken celebrity as she shares her perspective on style, parenting, relationships and her journey to adulthood.
Comedy is hard, but teaching comedy to children is hilariously difficult. Kevin Nealon is giving the challenge to some world-famous comedians. As these young minds meet with comedy’s best, get ready to learn some valuable comedy lessons, and to laugh!
James Franco loves movies. He loves watching them, acting in them, directing them, and even writing them. And now, he’s going to take some of his favorite movie scenes from the most famous films of all time, and re-imagine them in ways that only James can.
The story of punk rock singer Laura Jane Grace of Against Me! who came out as a woman in 2012, and other members of the trans community whose experiences are woefully underrepresented and misunderstood in the media.
Executive produced by Zoe Saldana (who will be the subject of one episode), a celebrity travels back to their hometown to pay tribute to the one person from their past (before they were famous) who helped change their life by giving them an over-the-top, heart-felt surprise.
Enter the graceful but competitive world of ballet through the eyes of executive producer, Sarah Jessica Parker. This behind-the-scenes docudrama reveals what it takes to perform on the ultimate stage, the New York City Ballet. Catch NYCB on stage at Lincoln Center.
The art of the moving image is not what it used to be. Writing and making cinematic media is more diverse than ever; from ...
big screen to small, from live action to gaming and machinima. It's time to embrace a new way of thinking.
Tags:How to Make a Better Story Using Motion Sketches,celtx,filmmaking,pre-production,screenwriting,scriptwriting
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I am going to attached this. Background and pop corn.
You recognized it what is this. This is Cinema.
Or at least it was. Cinematic media in the 21st Century is much bigger, bolder, and more complex and diverse it is ever been. The cinematic feed of the theatrical releases is all well and good but cinema is much bigger than a big dark room.
You will be obliged by all means go seat in the dark room and write. There is always be a place in well full, writers to work outside production process. Just is it always be directors who know by all that technology. But in between our opportunities to be media makers.
Because there is a writer on earth who is a better writer for understanding editing and there is an Cinematographer on the planet, who is a better Cinematographer for understanding writing.
And God knows, the reason a director on earth better plays to be a director than one who understands all those processes and how they fit together, and that is what the 21st Century of digital cinematic medias about. Impairment, self-sufficiency, about being media maker, not just a facilitator for it.
Traditional cinematic production could be say in three things. It is linear, it is hierarchal, and it is segmented. We make good films like this. We work in order, from left to right assembling pieces and they things happen in those orders.
It is hierarchal, because certain processes are privilege above others. We do things in a very strict order. We do not do the sound before we shoot the film for example.
So, in hierarchy and linear process and most importantly of all, it is segmented. We break the production process up to pieces. Free production, production, post production and within each of those, individual components.
That very often they communicate so well. But in the digital age, when the cinematic work is just at home on the mobile phone as it is on a bigger screen, on TVs, on computer matters, and mobile devices all kinds.
Cinematic worked, suddenly takes on a whole new paragon on delivery. And when that happens, segmented; linear; hierarchal approach is to making it just kind of done it up.
Post production tools have already moved down this past and we want editing, visual effects, sound design with separate processes performing separate systems in a, some sort of linear progression. Now, we are quite happily combine this in a single tools with unified processes.
Why not the same pre-production?
Why should not the design inform the script rather than always follow it?
Why not begin planning a sound design while smacking part?
Why not be scanning for locations to help inform the writing of characters?
And why not integrate the breakdown of production logistics into the development of the story itself?
And screen writers, running from multi platform delivery for this story from out set. Means I have to know the technical demands of those mediums for the mobile phone, for the portable device, for the game consoles, for the theatrical release for the home theater.
I need to know those technical aesthetic demands from the moment I start writing and they shape story and they shape ideas. Live action is an option. A theatrical release is not the top of the pyramid. By the time, you have gaming, cinema, mobile devices into the mix. Where all frame works have falling apart.
This where tool like Celtics, allows us to bring those things together but this is not a cell. This is about holistic way of thinking. A way thinking it is about a contemporary approach rather than trying shoe-horn an old way thinking, and a old way working into new technologies in new ideas.
It is about being a medium maker. Able to craft meaning across all the movie image possibilities in the 21st Century.