Authentic voices. Remarkable stories. AOL On Originals showcase the passions that make the world a more interesting place.
The story of punk rock singer Laura Jane Grace of Against Me! who came out as a woman in 2012, and other members of the trans community whose experiences are woefully underrepresented and misunderstood in the media.
Documentary shorts conceived of and directed by famous actors. Jeff Garlin, Katie Holmes, Alia Shawkat, Judy Greer, and James Purefoy
Park Bench is a new kind of "talking show" straight from the mind of born and bred New Yorker and host, Steve Buscemi.
Digital influencer Justine Ezarik (iJustine) is back. After covering the world of wearable tech last season, iJustine is expanding her coverage this year by profiling the hottest tech trends across the country.
Enter the graceful but competitive world of ballet through the eyes of executive producer, Sarah Jessica Parker. This behind-the-scenes docudrama reveals what it takes to perform on the ultimate stage, the New York City Ballet. Catch NYCB on stage at Lincoln Center.
Nicole Richie brings her unfiltered sense of humor and unique perspective to life in a new series based on her irreverent twitter feed. The show follows the outspoken celebrity as she shares her perspective on style, parenting, relationships and her journey to adulthood.
Explore what it means to be human as we rush head first into the future through the eyes, creativity, and mind of Tiffany Shlain, acclaimed filmmaker and speaker, founder of The Webby Awards, mother, constant pusher of boundaries and one of Newsweek’s “women shaping the 21st Century.”
Gwyneth Paltrow and Tracy Anderson spend time with women who've overcome hardship, injury, and setbacks to triumph in the face of adversity.
Hank Azaria’s touching, humorous, and often enlightening journey from a man who is not even sure he wants to have kids, to a father going through the joys, trials and tribulations of being a dad.
ACTING DISRUPTIVE takes viewers inside the businesses and passion projects of Hollywood’s top celebrities.
Follow Scott Schuman, the Sartorialist, from the streets of NYC to the capitals of Europe on his quest to photograph and document the best in culture and fashion.
Go behind-the-scenes with racing's hottest, young talent, 17-year-old Dylan Kwasniewski, as he aspires to make it in the #1 motorsport in America – NASCAR
Learn all about acting, this video focuses on whether it's better to go to University to study acting, or go Private.
Tags:The Benefits Private Acting Classes,acting advice,acting classes,acting tips,How to Become an Actor,how to become an actor part 2,private acting schools advantages,the difficulties of performance arts,watchmojo
Grab video code:
Chantria Tram: Why would someone come to this sort of training facility rather than going to a university or college setting?
Josa Maule: Well, the difference between studying for three years, first of all in this business there’s no guarantees. The benefit you’re at—if you’re here, you can still be doing whatever else. You can still be doing acting as a serious hobby, you can still do plays, you can still participate in movies or audition for films, you don’t have to give up your life for three years. You can still pursue something else other than acting because we all know you don’t make money, so you better will not be waitress or bartender or something flexible. I mean not necessarily through but at least be able to have something that is going to pay the bills until whatever. I don’t hold the crystal ball, so I can’t tell you.
But so, at least when you’re in a private workshop such as what we are, you have the opportunity of pursuing other things. When you’re in a three year university or SEJAP program, not that they are not good, I think education is education completely. But you’re spending three years and there are no promises and guarantees when you finish. If there’s the opportunity that you are looked at more, agents maybe interested but not necessarily keep you on. I’ve trained people that have completed a three year program and I’ve auditioned people that have completed the three program and they’re no different than people who have taken privately workshops such as myself and other workshops that are out there.
Chantria Tram: So you say it’s more of the investment of the participant in whatever they are doing?
Josa Maule: Oh absolutely.
Chantria Tram: Training.
Josa Maule: Absolutely. Some people going to film school and music and so on and so forth and they don’t realize the work and the dedication that is required. If you’re a member of the show Fame, which takes part of the New York—not the New York Dramatic, and I probably sued by alumni, American Academy of Dramatic Arts. First of all, in the beginning of the movie or the beginning of the films, like dancing is the hardest thing, music is the hardest thing, acting is the hardest thing. The truth of the matter, arts period, is the hardest thing and you have to love it. Not just want it, it has to be something you eat, sleep, everything.
Chantria Tram: There’s nothing for, I think.
Josa Maule: I have a girlfriend who is an artist and her answer, I mean, like I don’t agree to it a 100%, but for her it was like, “Was there anything else?” For her, there was nothing else. This is what she was going to do. I mean not everybody who’s taking acting is going to be an actor. And not everybody who wants to be—sorry, not everybody who is taking acting is going to be an actor and not everybody who is taking acting, to be an actor.