Authentic voices. Remarkable stories. AOL On Originals showcase the passions that make the world a more interesting place.
The story of punk rock singer Laura Jane Grace of Against Me! who came out as a woman in 2012, and other members of the trans community whose experiences are woefully underrepresented and misunderstood in the media.
Documentary shorts conceived of and directed by famous actors. Jeff Garlin, Katie Holmes, Alia Shawkat, Judy Greer, and James Purefoy
Park Bench is a new kind of "talking show" straight from the mind of born and bred New Yorker and host, Steve Buscemi.
Digital influencer Justine Ezarik (iJustine) is back. After covering the world of wearable tech last season, iJustine is expanding her coverage this year by profiling the hottest tech trends across the country.
Enter the graceful but competitive world of ballet through the eyes of executive producer, Sarah Jessica Parker. This behind-the-scenes docudrama reveals what it takes to perform on the ultimate stage, the New York City Ballet. Catch NYCB on stage at Lincoln Center.
Nicole Richie brings her unfiltered sense of humor and unique perspective to life in a new series based on her irreverent twitter feed. The show follows the outspoken celebrity as she shares her perspective on style, parenting, relationships and her journey to adulthood.
Explore what it means to be human as we rush head first into the future through the eyes, creativity, and mind of Tiffany Shlain, acclaimed filmmaker and speaker, founder of The Webby Awards, mother, constant pusher of boundaries and one of Newsweek’s “women shaping the 21st Century.”
Gwyneth Paltrow and Tracy Anderson spend time with women who've overcome hardship, injury, and setbacks to triumph in the face of adversity.
Hank Azaria’s touching, humorous, and often enlightening journey from a man who is not even sure he wants to have kids, to a father going through the joys, trials and tribulations of being a dad.
ACTING DISRUPTIVE takes viewers inside the businesses and passion projects of Hollywood’s top celebrities.
Follow Scott Schuman, the Sartorialist, from the streets of NYC to the capitals of Europe on his quest to photograph and document the best in culture and fashion.
Go behind-the-scenes with racing's hottest, young talent, 17-year-old Dylan Kwasniewski, as he aspires to make it in the #1 motorsport in America – NASCAR
Learn How To Use Blend Modes to Add Graphic Highlights in Photoshop
Tags:adobe creative suite 2,adobe dreamweaver,adobe fireworks,adobe flash 8 professional,adobe illustrator,adobe photoshop,adobe web bundle,cascading style sheets,cmyk,html,jpeg,live,mac,macromedia studio 8,microsoft windows,rgb,total training
Grab video code:
Now, we got the basic concept for most of our elements laid out and it is looking pretty good so far. I want to add a little bit more punch to some of the divisions between the areas and use some graphic highlights to further embellish this just a little bit to make sure we have a nice, clean design for our client.
One of the things I would like to do is I would like to highlight the basis of these buttons and also any of the areas that were popping out just to make sure that we kind of give them a little cap. We can do that pretty easily with a couple of nice techniques. I will start with the buttons first here at the top and what I would like to do is first go down and access the original color layer that we used to block out our button shapes. We will scroll down here and pick up the button backgrounds layer.
Now, I am going to make a pretty quick use of this. I want the shapes of the buttons but we are going to do a little bit of transformation on them and in order to get started, I am going to just simply duplicate this layer. We can do that right up here in the fly out menu at the top. I will choose “Duplicate Layer” and I will rename this one to “button base”.
Now, on this button base layer, I would like to make sure that it is above the button images. Let me just pull it up there on top and with it selected, I would like to use the transform tool. I am going to hit “Ctrl+T” and that would be “Command+T” on the Macintosh.
That will give me my normal transform tools and I am just going to grab this one at the center and pull it down. So, I will squish those layers right down. I ended up with a thin band but since we started off with four rectangles, we now have four very thin rectangles. I am going to commit to that transform change by pressing “Enter”.
While it is still selected, I am going to hold down the “Ctrl+T” and I will give you my move tool once again. And I can just use the arrow keys to nudge this down. Now, as you can see what we are starting to get here, we are getting a nice color coordinated band along the bottom of the buttons that spreads down into the background area.
Now, that effect gives us the kind of base we are looking for, but let me push this out in a little bit different way. One that is a lot more flexible to changes that might come down to pike. Right now, each one of these rectangles is locked to the colors of the original blocks that they came from. What I would like to do is change the color to a medium gray and let us use a blending effect to achieve the color result we are looking for. Now, I can change this really quickly.
First of all, what I am going to do is take that layer and I am going to lock the transparent pixels. I will do that right up here on the top of my layers palette. With that selected, I should be able to use the current fill color and using the keyboard shortcut we showed before which is “Alt+Delete” on the PC or “Option+Delete” on the Macintosh, we have now filled all of those rectangles with a medium gray color.
Now, if you would like, you can move through the blend modes with another keyboard shortcut. As long as I got my move tool activated which I can get by pressing “V” and what I will do is I will hold down “Shift” and use the “+” or “-“ keys to move through the different blend modes.
Now, you can see as each blend mode gets applied, I am seeing a preview of it on the screen there. I am going to work my way down to a special blend mode called color dodge. This one is really applicable in this case because what it will do is it will take the current lightness of the fill in the shape that we are looking at and apply it as a brightening for whatever color is underneath.
Now, this is great for us because for example, if our client did not like one of the colors that we were using for our button shapes, we could simply drop that color out and change it and not have to update three or four elements in order to accommodate our current design. We have to change one element. That is actually giving me exactly the effect I want.