Authentic voices. Remarkable stories. AOL On Originals showcase the passions that make the world a more interesting place.
Nicole Richie brings her unfiltered sense of humor and unique perspective to life in a new series based on her irreverent twitter feed. The show follows the outspoken celebrity as she shares her perspective on style, parenting, relationships and her journey to adulthood.
Comedy is hard, but teaching comedy to children is hilariously difficult. Kevin Nealon is giving the challenge to some world-famous comedians. As these young minds meet with comedy’s best, get ready to learn some valuable comedy lessons, and to laugh!
James Franco loves movies. He loves watching them, acting in them, directing them, and even writing them. And now, he’s going to take some of his favorite movie scenes from the most famous films of all time, and re-imagine them in ways that only James can.
The story of punk rock singer Laura Jane Grace of Against Me! who came out as a woman in 2012, and other members of the trans community whose experiences are woefully underrepresented and misunderstood in the media.
Executive produced by Zoe Saldana (who will be the subject of one episode), a celebrity travels back to their hometown to pay tribute to the one person from their past (before they were famous) who helped change their life by giving them an over-the-top, heart-felt surprise.
Explore what it means to be human as we rush head first into the future through the eyes, creativity, and mind of Tiffany Shlain, acclaimed filmmaker and speaker, founder of The Webby Awards, mother, constant pusher of boundaries and one of Newsweek’s “women shaping the 21st Century.”
Enter the graceful but competitive world of ballet through the eyes of executive producer, Sarah Jessica Parker. This behind-the-scenes docudrama reveals what it takes to perform on the ultimate stage, the New York City Ballet. Catch NYCB on stage at Lincoln Center.
Park Bench is a new kind of "talking show" straight from the mind of born and bred New Yorker and host, Steve Buscemi.
Go behind the scenes with some of the biggest digital celebrities to see what life is like when the blogging and tweeting stops.
Digital influencer Justine Ezarik (iJustine) is back. After covering the world of wearable tech last season, iJustine is expanding her coverage this year by profiling the hottest tech trends across the country.
Documentary shorts conceived of and directed by famous actors. Jeff Garlin, Katie Holmes, Alia Shawkat, Judy Greer, and James Purefoy
A 12 episode documentary series following 5 startup companies competing in the 2013 San Francisco TechCrunch Disrupt Startup Battlefield as they fine tune their products and eventually present in front of a panel of judges in hopes of winning $50,000 in funding.
Gwyneth Paltrow and Tracy Anderson spend time with women who've overcome hardship, injury, and setbacks to triumph in the face of adversity.
Award Winning Hairstylist John Simpson show some great coloring techniques.
Tags:Hair Coloring Techniques - Part 1,coloring hair,coloring techniques,hair stying guide,hair styling tips,hairstyle tips,how to color hair,how to style hair,john simpson,professional hair coloring technique,scissorboy
Grab video code:
Amy E.: Hi! I am Amy E. on the Cutting Edge Hair Show for Scissor Boy, and we are here in Baltimore, Maryland at the Goldwell Studio where John Simpson works and he is the North American Hair Colorist of the Year. He is the first one of Goldwell to win and we are about to go meet him. So, let's go see him, maybe I can some color and tone as well. This is actually a school as well. So, they teach the students here and he is a teacher. John. There you are!
John Simpson: You found me.
Amy E.: It's so good to see you
John Simpson: It's good to see u.
Amy E.: And finally meet you.
John Simpson: It's a pleasure.
Amy E.: Congratulations on your win.
John Simpson: Thank you.
Amy E.: I heard something about Goldwell's special mixing hair color, what is it?
John Simpson: The Goldwell Depot System.
Amy E.: What is that?
John Simpson: I would share just a bit. This is my dorky side, if you will. The Color Depot System through Goldwell is not measured from the outside end, it's measured from the bottom up. So, as a lot of time in coloring what happens is there are uneven markings, as maybe a client has been retouched or even new highlights, so the Color Depot System always gives me pin point perfect accurate hair color each and every time. So, we are going to begin the mix.
Amy E.: Okay, so what is this? What is this bowl? How does the color get in?
John Simpson: It looks like a Martini glass though, doesn't that?
Amy E.: It does, cocktail cosmo for ladies.
John Simpson: Of course, right after. We'll get it. Boy, okay.
Amy E.: Okay.
John Simpson: Back to the hair color. With this martini, so we are talking about the color depot system. So, you can see into the base, there is actually a wonderful pressure trigger that the color pushes up and through. A lot of times and with tube color or even just liquid color, you can't just have it perfect accuracy, it's there but it's an ish? So it's simple, right so we re going to come through into the bottom, simplicity into the color, I am measuring throughout the millimeters, that are working inside, so I can see. So, making it even balanced, I am pressing through and you can see the color.
Amy E.: Wow! Fresh color.
John Simpson: Fresh color, no oxidation and I can have perfect measurement 16 millimeters, stop.
Amy E.: Wow! Chefs should take example from you people.
John Simpson: Exactly.
Amy E.: People who cook food --
John Simpson: That's right.
Amy E.: They can get exactly the right amount of sugar by sticking their bowl.
John Simpson: Exactly. And I understand that sometimes there is a pinch of this and a dust of that but --
Amy E.: Exactly, but how can you get the same flavor you time.
John Simpson: You can't.
Amy E.: Let's go cook up some hair.
John Simpson: Let's do it. I am excited.
Amy E.: Yeah, me too.
John simpson: Let's go. What happens a lot of time in hair color is you can start to get multiple shade banding. We did speak about that, that I know I have the accuracy to mix it. However, I think at one point colorist keep overlapping so much that you can start to see very black reds or very brown reds whenever it's not necessarily intentional.
So, what I want to do with Mary's hair is, I don't think that it always has to be such a complicated hair color story, think about where do I want to take it, what tones, what characters do I want to meet. So, well let's introduce you to her cast. Here what we have, it's a cast --
Amy E: The drama of your hair.
John Simpson: There is always a color story exactly. So, here if we look, there is a lot of old fading throughout the ends, some multiple bands that have happened throughout the middle, new highlight touch up, dark retouch, newest.
Amy E: Wow!
John Simpson: I know.
Amy E.: So, who is the lead character? Who is the main character?
John Simpson: Well, we are actually going to write the next chapter. This book is already done. So, we are going to open up a whole new story. Now into the characters, who I want to meet; my color story always is, the light is only as strong as the dark place beside it.
So how can I make the red pop just a little bit when it doesn't need to be just a screening shade? We are going to apply through the interior of the hair and I'll talk about the sectioning in just a little bit. I am going to have the highest, most shining character, which is really reflective tone. We'll have a nice kind of the evil sinister guy, that's more of an opaque shading. I know he is scary, but we will love him in the end, this shade, they're actually going to support. So, the deeper opaque coloring is going to push up the light.