Authentic voices. Remarkable stories. AOL On Originals showcase the passions that make the world a more interesting place.
In a compelling series of verite encounters, Win Win provides unique access into the minds and lives of the world’s most-celebrated entrepreneurs and athletes.
Explore what it means to be human as we rush head first into the future through the eyes, creativity, and mind of Tiffany Shlain, acclaimed filmmaker and speaker, founder of The Webby Awards, mother, constant pusher of boundaries and one of Newsweek’s “women shaping the 21st Century.”
Nicole Richie brings her unfiltered sense of humor and unique perspective to life in a new series based on her irreverent twitter feed. The show follows the outspoken celebrity as she shares her perspective on style, parenting, relationships and her journey to adulthood.
Comedy is hard, but teaching comedy to children is hilariously difficult. Kevin Nealon is giving the challenge to some world-famous comedians. As these young minds meet with comedy’s best, get ready to learn some valuable comedy lessons, and to laugh!
James Franco loves movies. He loves watching them, acting in them, directing them, and even writing them. And now, he’s going to take some of his favorite movie scenes from the most famous films of all time, and re-imagine them in ways that only James can.
The story of punk rock singer Laura Jane Grace of Against Me! who came out as a woman in 2012, and other members of the trans community whose experiences are woefully underrepresented and misunderstood in the media.
Executive produced by Zoe Saldana (who will be the subject of one episode), a celebrity travels back to their hometown to pay tribute to the one person from their past (before they were famous) who helped change their life by giving them an over-the-top, heart-felt surprise.
Enter the graceful but competitive world of ballet through the eyes of executive producer, Sarah Jessica Parker. This behind-the-scenes docudrama reveals what it takes to perform on the ultimate stage, the New York City Ballet. Catch NYCB on stage at Lincoln Center.
Park Bench is a new kind of "talking show" straight from the mind of born and bred New Yorker and host, Steve Buscemi.
Go behind the scenes with some of the biggest digital celebrities to see what life is like when the blogging and tweeting stops.
Digital influencer Justine Ezarik (iJustine) is back. After covering the world of wearable tech last season, iJustine is expanding her coverage this year by profiling the hottest tech trends across the country.
Documentary shorts conceived of and directed by famous actors. Jeff Garlin, Katie Holmes, Alia Shawkat, Judy Greer, and James Purefoy
A 12 episode documentary series following 5 startup companies competing in the 2013 San Francisco TechCrunch Disrupt Startup Battlefield as they fine tune their products and eventually present in front of a panel of judges in hopes of winning $50,000 in funding.
Metro Pictures Nov-Dec 2008. Cindy Sherman dresses for success, donning a range of disguises that masterfully evoke the absurdity ...
of the 'too much money, too little taste' crowd.
Tags:Cindy Sherman at Metro Pictures,Art,artist,cindy sherman,contemporary,critic,exhibition,gallery,Metro Pictures,New York Art Tours,photography,sculpture,visual
Grab video code:
Thirty years after Cindy Sherman started her untitled film still series, you would think she would not run out of characters to skewer. Her latest body of work at Metro Pictures Gallery proves that her supply of people is as fresh as ever and her eye as incisive as ever.
The huge size of these prints should indicate the high social status of the setter. Each woman is surrounded by the status symbols and put in front of the backdrop of a tasteful architecture. The message is clear; they each have too much money and too little taste.
One character’s fish lips looks like she is pulling a face on the mirror. There is a goodtime cowgirl, who just happens to own the ranch. And over the hills, Scarlet O’Hara and several creepy ladies of the manor, whose self regard belies their appearance.
In their fancy dress, the characters look like they could be on their way to a political fundraiser or a musical gala. Is she biting the hand that feeds her by poking fun at art patrons? Sherman does not care.
Sherman exposes the absurdity of excess. To their credit, the women do show some signs of aging. They have not gone overboard on the cosmetic procedures, but oblivious ugliness is the norm, despite the trappings of luxury. Her carefully manicured subjects would never dream that they were the objects of ridicule, which might make us more self-conscious about what could we be overlooking in our appearance.