Authentic voices. Remarkable stories. AOL On Originals showcase the passions that make the world a more interesting place.
Go behind the scenes with some of the biggest digital celebrities to see what life is like when the blogging and tweeting stops.
The story of punk rock singer Laura Jane Grace of Against Me! who came out as a woman in 2012, and other members of the trans community whose experiences are woefully underrepresented and misunderstood in the media.
Documentary shorts conceived of and directed by famous actors. Jeff Garlin, Katie Holmes, Alia Shawkat, Judy Greer, and James Purefoy
Park Bench is a new kind of "talking show" straight from the mind of born and bred New Yorker and host, Steve Buscemi.
Digital influencer Justine Ezarik (iJustine) is back. After covering the world of wearable tech last season, iJustine is expanding her coverage this year by profiling the hottest tech trends across the country.
A 12 episode documentary series following 5 startup companies competing in the 2013 San Francisco TechCrunch Disrupt Startup Battlefield as they fine tune their products and eventually present in front of a panel of judges in hopes of winning $50,000 in funding.
Enter the graceful but competitive world of ballet through the eyes of executive producer, Sarah Jessica Parker. This behind-the-scenes docudrama reveals what it takes to perform on the ultimate stage, the New York City Ballet. Catch NYCB on stage at Lincoln Center.
Nicole Richie brings her unfiltered sense of humor and unique perspective to life in a new series based on her irreverent twitter feed. The show follows the outspoken celebrity as she shares her perspective on style, parenting, relationships and her journey to adulthood.
Explore what it means to be human as we rush head first into the future through the eyes, creativity, and mind of Tiffany Shlain, acclaimed filmmaker and speaker, founder of The Webby Awards, mother, constant pusher of boundaries and one of Newsweek’s “women shaping the 21st Century.”
Gwyneth Paltrow and Tracy Anderson spend time with women who've overcome hardship, injury, and setbacks to triumph in the face of adversity.
Hank Azaria’s touching, humorous, and often enlightening journey from a man who is not even sure he wants to have kids, to a father going through the joys, trials and tribulations of being a dad.
ACTING DISRUPTIVE takes viewers inside the businesses and passion projects of Hollywood’s top celebrities.
Learn how to set the auto mode function using the Canon SD770 IS
Tags:Canon SD770 IS: Set Auto Mode Function,canon sd770 is,digital camera tutorial,how to use a digital camera,lb guides,photography lessons,set auto mode function
Grab video code:
Canon SD770 IS: Set Auto Mode Function
The auto mode is the default mode when you first buy your camera and take it out of the box. Turn the camera on and you’ll have the auto mode selected the way you can set the auto mode is by pressing the function button right here in the center just press function to access the function menu and at the top you have the different mode function so down here you can see the list of the different modes. Minus currently set to manual but the one just to the left go on and press the left navigation button here to access auto.
Now what auto is going to do it’s going to set the ISO to automatic. The wide balance to automatic and you don’t have control over you exposure compensation or metering and the flash is also set to automatic. You can turn the flash off but what you can’t do is force the flash to fire and this can be also very, very limiting because in a daylight situation for example if you want to eliminate shadows from your subject. You need to force the flash because the camera is going to assume there’s enough light and it won’t up to use the flash if it’s set to automatic.
And the reason why this may not be so good is because and especially with the wide balance you don’t have control like you would with the manual mode over things like wide balance and ISO. Especially with wide balance the auto wide balance is really just fine for outdoors in the daylights or it maybe even cloudy but indoors was there is tungsten or fluorescent it’s really not going to be very good at all, so what I prefer doing is using the manual mode which is right here.
This gives me control over the wide balance and I can just scroll down to change the wide balance if I’m indoors I can set that to tungsten for example or fluorescent depending on my lighting situation. Now, this is going to produce much, much better color and the camera’s still automatically sets or the right exposure so it does give you control but you don’t need to worry the camera is still very, very automated. So I prefer using manual for that reason.
To find out much more about Digital Photography and the all digital camera go to LBGuides.com.