Authentic voices. Remarkable stories. AOL On Originals showcase the passions that make the world a more interesting place.
James Franco loves movies. He loves watching them, acting in them, directing them, and even writing them. And now, he’s going to take some of his favorite movie scenes from the most famous films of all time, and re-imagine them in ways that only James can.
Go behind the scenes with some of the biggest digital celebrities to see what life is like when the blogging and tweeting stops.
The story of punk rock singer Laura Jane Grace of Against Me! who came out as a woman in 2012, and other members of the trans community whose experiences are woefully underrepresented and misunderstood in the media.
Documentary shorts conceived of and directed by famous actors. Jeff Garlin, Katie Holmes, Alia Shawkat, Judy Greer, and James Purefoy
Park Bench is a new kind of "talking show" straight from the mind of born and bred New Yorker and host, Steve Buscemi.
Digital influencer Justine Ezarik (iJustine) is back. After covering the world of wearable tech last season, iJustine is expanding her coverage this year by profiling the hottest tech trends across the country.
A 12 episode documentary series following 5 startup companies competing in the 2013 San Francisco TechCrunch Disrupt Startup Battlefield as they fine tune their products and eventually present in front of a panel of judges in hopes of winning $50,000 in funding.
Enter the graceful but competitive world of ballet through the eyes of executive producer, Sarah Jessica Parker. This behind-the-scenes docudrama reveals what it takes to perform on the ultimate stage, the New York City Ballet. Catch NYCB on stage at Lincoln Center.
Nicole Richie brings her unfiltered sense of humor and unique perspective to life in a new series based on her irreverent twitter feed. The show follows the outspoken celebrity as she shares her perspective on style, parenting, relationships and her journey to adulthood.
Explore what it means to be human as we rush head first into the future through the eyes, creativity, and mind of Tiffany Shlain, acclaimed filmmaker and speaker, founder of The Webby Awards, mother, constant pusher of boundaries and one of Newsweek’s “women shaping the 21st Century.”
Gwyneth Paltrow and Tracy Anderson spend time with women who've overcome hardship, injury, and setbacks to triumph in the face of adversity.
Hank Azaria’s touching, humorous, and often enlightening journey from a man who is not even sure he wants to have kids, to a father going through the joys, trials and tribulations of being a dad.
Learn how to optimize the Canon A610/A620 for a macro/close-up picture
Tags:Canon A610/A620: Set for Macro/Close-up Scene,canon a610/a620,digital camera tutorial,how to use a digital camera,lb guides,photography lessons,set for macro/close-up scene
Grab video code:
Macro pictures can be found just about anywhere and they’re a lot of fun to take. Let me show you how to best set up your camera to optimize it for macro pictures. The first thing that you want to do is turn your mode dial to the program mode. This will give you the flexibility needed in order to set it up. Let’s go ahead and turn that on. Let’s quickly just walk through the function menu to make sure that everything is the way we’d like it. Press the function button here in the center to access the function menu. And at the top, you’ll notice that my ISO is set to 200. I would like to start at 50 because I really don’t know what the lighting situation is going to be like, so I’m going to just scroll down to 50 and set that there, so that should be find. That is going to give me the best color quality that the camera can produce. If I need higher than that, then I could adjust it accordingly, but let’s go ahead and just start it at 50 ISO.
Go ahead and go down. The white balance, mine is currently set to daylight. This really depends on your lighting situation. If you’re outdoors on a sunny day, daylight is what you’re going to want to use, otherwise, you can choose from one of the other options. If it’s a cloudy day, go with cloudy. If you’re indoors, you can use either tungsten or fluorescent, those are both good options for indoor lighting and you can just scroll through all the options to see really which one will give you the best color possible. So I’m going to go to daylight and go down. Drive mode is currently set to single shot. It’s the default setting. And in this case, it’s fine. I’m assuming that we’re not using a tripod so there’s really no need to set the drive to the 2-second timer. Effect is turned off, that’s great. The flash compensation in this case is irrelevant because with macro pictures, you really don’t want to use the flash, so this doesn’t really matter. The metering mode is set to evaluative which also is fine. You can choose any one of these options. It really depends on your scenario but evaluative is just fine for macros. There’s really no difference.
Go ahead and press the function button to escape this menu. Now you’ll notice, as I mentioned before, we’re not going to use the flash. Mine camera indicates that the flash will not be used. If yours is not, go ahead and press the flash button or the up navigation button to scroll through the different flash options until you see that no flash icon.
Finally in the back, what you’re going to want to do obviously is set up the macro mode. The macro mode is the down navigation button here at the bottom. Press that once to access macro, that little flower indicates here in the macro mode and this will allow the camera to focus on subjects very close to the lens. A couple of things that you need to know when taking macro pictures, you want the zoom to be all the way out. So zoom out and physically step closer to the subject if you need it to fill up the entire frame. That’s going to get you a much better quality and the camera would be able to focus a lot more easily. So zoom out and press the shutter button halfway. This is true for every picture you take with the camera. Go ahead and press the shutter button halfway. Wait for that little green square to turn green which indicates the camera is in focus. And then you can go ahead and take the picture.
Now, after I pressed the button halfway, you’ll notice here at the bottom that my shutter speed is indicated. Currently, my shutter speed is 1/80 and that’s fine. Again, we’re assuming that we’re hand holding this camera so that’s fine. However, if you are indoors and there isn’t a whole lot of light or if you’re outdoors and there isn’t a whole lot of light, at this point, you would probably want to increase the ISO assuming your shutter speed is less than 160th. So with the shutter speed less than 160th of a second, the camera becomes very, very difficult to hand hold without getting any kind of a motion blur in the image. So go ahead and release, press the function button to access the menu again, scroll back to ISO, increase the ISO, press the function button to escape. And again, I’ll go ahead and press my shutter button, and you’ll see now that my shutter speed is at 1/400 of a second, much faster and much easier to hand hold. So again, in my case, I do have enough light 180th which is fine, however in your situation, if yours is below 160th, go ahead and adjust that ISO a little higher to compensate for that low shutter speed.