Authentic voices. Remarkable stories. AOL On Originals showcase the passions that make the world a more interesting place.
EMMY NOMINATED SERIES directed by and starring Steve Buscemi is back for a second season!!! Park Bench is a local's take on the special people, places, and spirit of New York City. Through unscripted moments with average New Yorkers and Steve's celeb friends, Buscemi takes viewers on a funny, first-hand journey/misadventure, told in his unique voice.
Journey to the Draft is an organic, unscripted, docu-series that follows three college football players, all with promising professional careers. These young men attend different schools across the country and play a variety of positions on the field, but at the end of the day they share one goal:to play in the NFL. The AOL docu-series follows players Leonard Williams, Kevin White and Marcus Peters.
Connected features the personal stories of six New Yorkers woven together into one of the most intimate series ever. This groundbreaking show changes the nature of storytelling by giving each character a camera to document their lives. The result is a unique format revealing as different as everyone appears to be, we are all universally Connected.
Wake up to your world in 2 minutes.
"Stricly Come Dancing presenter Tess Daly and The Saturdays' Rochelle Humes talk to mums about their experiences of being mum. Whether the daughter of a Rolling Stone, in one of the most famous girl bands the world has ever known, or a parent coping with disability as well as family life, each mother in Being Mum shows that the feelings, challenges and rewards of motherhood are universal no matter the surroundings you find yourself in."
Jews and Money. Asian Drivers. Polish IQ. CPT… that's racist! But where do these stereotypes come from? Comedian Mike Epps explores the backstories of this humor and how history and fact often distorts into a snide – but sometimes funny – shorthand.
"INSPIRED" features celebrities, visionaries and some of the biggest newsmakers of our generation, recounting the stories behind their biggest, life-changing moments of inspiration.
In a compelling series of verite encounters, Win Win provides unique access into the minds and lives of the world’s most-celebrated entrepreneurs and athletes.
Explore what it means to be human as we rush head first into the future through the eyes, creativity, and mind of Tiffany Shlain, acclaimed filmmaker and speaker, founder of The Webby Awards, mother, constant pusher of boundaries and one of Newsweek’s “women shaping the 21st Century.”
Nicole Richie brings her unfiltered sense of humor and unique perspective to life in a new series based on her irreverent twitter feed. The show follows the outspoken celebrity as she shares her perspective on style, parenting, relationships and her journey to adulthood.
Comedy is hard, but teaching comedy to children is hilariously difficult. Kevin Nealon is giving the challenge to some world-famous comedians. As these young minds meet with comedy’s best, get ready to learn some valuable comedy lessons, and to laugh!
James Franco loves movies. He loves watching them, acting in them, directing them, and even writing them. And now, he’s going to take some of his favorite movie scenes from the most famous films of all time, and re-imagine them in ways that only James can.
The story of punk rock singer Laura Jane Grace of Against Me! who came out as a woman in 2012, and other members of the trans community whose experiences are woefully underrepresented and misunderstood in the media.
Learn how to optimize the Canon A610/A620 for a backlight scene
Tags:Canon A610/A620: Set for Backlight Scene,canon a610/a620,digital camera tutorial,how to use a digital camera,lb guides,photography lessons,set for backlight scene
Grab video code:
Taking a picture of a subject or some person when there is a lot light coming from behind them can be a little bit tricky because it makes the person come out very, very dark. So, in order to compensate for that effect, let me show you what to do with your camera.
First, let's go ahead and set your mode dial t the program mode, change your mode dial 2P. This will allow you the flexibility needed and let's go and turn this on. Now, one thing you can do is use the flash. Using the flash will illuminate the person and in order to do that, you want to force the flash. With the backlight situation, the camera assumes there is enough light and it's not going to automatically use the flash. So just press the flash button or this here, up the navigation button, scrolls for the flash options until you get to this flash on icon. That’s going to force the flash. So that’s one thing you can do and the other thing to d if you are using the flash, press the function button to access the function menu.
Your ISL set to 50, that’s should be fine. Your white balance, set that accordingly depending on the lighting used in your situation but most importantly, when using the flash in this situation is having enough power in the flash top illuminate the subject properly.
Mine, currently is set to plus 2 that maybe good. It might be a little bit too strong. There is really no way of knowing until you try it out. So just press right or left navigation buttons to move that little green dash around and se the flash strength accordingly. Again, you may need to try a couple of different settings to know which one works best.
If you’re not going to use the flash and sometimes the flash, no matter how strong you said it, it won’t be enough. So you may not want to use the flash because it's not going to be any kind of advantage. Go ahead and exit the function menu. Turn the flash off by again, pressing this up navigation button. So we get to the no flash icon.
Now, it is very, very important. Let's go back into the function menu. Go down to one mark to metering. If you’re not using flash, you want to meter on the subject, which means you don’t want evaluative looking at everything because that’s going to take into consideration that massive amount of light coming from behind your subject. What you want to do is press the right or left navigation buttons to access the spot meter.
Let's press function to exit the function menu and you can see immediately with the spot meter activated, you have two little brackets inside your focusing square, which means only within those brackets is the camera, looking to judge what the right amount of light is. How the camera should be exposed? How the picture should be exposed? What the camera setting should be? So go ahead and press the camera button, the shutter button halfway and that will focus on your subject and also expose for your subject only without taking into consideration all that light coming from behind.
Now when you do this, you’ll notice that light from behind is going to be very, very white and very bright but that’s okay because at least the subject is well exposed. So those are the two options. Either, you use a lot of flash or use the spot metering mode.