Authentic voices. Remarkable stories. AOL On Originals showcase the passions that make the world a more interesting place.
EMMY NOMINATED SERIES directed by and starring Steve Buscemi is back for a second season!!! Park Bench is a local's take on the special people, places, and spirit of New York City. Through unscripted moments with average New Yorkers and Steve's celeb friends, Buscemi takes viewers on a funny, first-hand journey/misadventure, told in his unique voice.
Journey to the Draft is an organic, unscripted, docu-series that follows three college football players, all with promising professional careers. These young men attend different schools across the country and play a variety of positions on the field, but at the end of the day they share one goal:to play in the NFL. The AOL docu-series follows players Leonard Williams, Kevin White and Marcus Peters.
Connected features the personal stories of six New Yorkers woven together into one of the most intimate series ever. This groundbreaking show changes the nature of storytelling by giving each character a camera to document their lives. The result is a unique format revealing as different as everyone appears to be, we are all universally Connected.
Wake up to your world in 2 minutes.
"Stricly Come Dancing presenter Tess Daly and The Saturdays' Rochelle Humes talk to mums about their experiences of being mum. Whether the daughter of a Rolling Stone, in one of the most famous girl bands the world has ever known, or a parent coping with disability as well as family life, each mother in Being Mum shows that the feelings, challenges and rewards of motherhood are universal no matter the surroundings you find yourself in."
Jews and Money. Asian Drivers. Polish IQ. CPT… that's racist! But where do these stereotypes come from? Comedian Mike Epps explores the backstories of this humor and how history and fact often distorts into a snide – but sometimes funny – shorthand.
"INSPIRED" features celebrities, visionaries and some of the biggest newsmakers of our generation, recounting the stories behind their biggest, life-changing moments of inspiration.
In a compelling series of verite encounters, Win Win provides unique access into the minds and lives of the world’s most-celebrated entrepreneurs and athletes.
Explore what it means to be human as we rush head first into the future through the eyes, creativity, and mind of Tiffany Shlain, acclaimed filmmaker and speaker, founder of The Webby Awards, mother, constant pusher of boundaries and one of Newsweek’s “women shaping the 21st Century.”
Nicole Richie brings her unfiltered sense of humor and unique perspective to life in a new series based on her irreverent twitter feed. The show follows the outspoken celebrity as she shares her perspective on style, parenting, relationships and her journey to adulthood.
Comedy is hard, but teaching comedy to children is hilariously difficult. Kevin Nealon is giving the challenge to some world-famous comedians. As these young minds meet with comedy’s best, get ready to learn some valuable comedy lessons, and to laugh!
James Franco loves movies. He loves watching them, acting in them, directing them, and even writing them. And now, he’s going to take some of his favorite movie scenes from the most famous films of all time, and re-imagine them in ways that only James can.
The story of punk rock singer Laura Jane Grace of Against Me! who came out as a woman in 2012, and other members of the trans community whose experiences are woefully underrepresented and misunderstood in the media.
This is Part of the Lost in Zombieville Production Diaries. They are a series of short behind the scenes documentaries that ...
are meant to show what goes on to create a film using 16mm.
Tags:How to Set an Audition and Casting for a Film,filmmaking,16mm,auditions,film,filmaking,lost in zombiville
Grab video code:
Andrew Cholerton: Auditions and what, who is there? Is it Steven, myself and we were there all the time. What do you guys think?
Matt Brewbaker: How about Carol was really good. Yes.
Andrew Cholerton: I also thought Stef was really good.
Matt Brewbaker: After or—
Andrew Cholerton: Choose the redhead.
Matt Brewbaker: She was really natural about things. And really that’s what I expected.
Andrew Cholerton: Yeah.
Matt Brewbaker: Because you know I’d seen them before they come and audition.
Female: Carol is on audition?
Andrew Cholerton: Yes!
Matt Brewbaker: Yes. Yes, she did.
Andrew Cholerton: I’d like her.
Matt Brewbaker: I really like the Sarah Wency. Is that right?
Andrew Cholerton: Serena Wency.
Matt Brewbaker: Serena Wency?
Andrew Cholerton: Yeah. Like the girl that’s not so sure?
Matt Brewbaker: Yes, that. It’s a big question but I guess as far like who would play the lead.
Andrew Cholerton: You remind that Lisa all of you right now. I think I got a good portion of you, I mean a lot of them were really, really nervous. Believe it or not.
Matt Brewbaker: Yeah.
Andrew Cholerton: So how does—for this scenarios that’s just.
Matt Brewbaker: I know.
Andrew Cholerton: I guess you know isn’t it. Isn’t a big deal?
Matt Brewbaker: Yeah.
Stef Wilcox: God damn it! How is this again? Get out of here! Go! Get off my property. What are you doing stalking older ladies?! If you don’t leave right now, I am calling the cops. Shouldn’t you be in school or something? God! God!
Cara: Wency, how are you? Yeah, it’s great. Is holy where? Oh, yeah. I love that place, you know me, shots my—
Male: And I’m very good.
Matt Brewbaker: Let’s see. Spend a little more time once watching TV.
Matt Brewbaker: Can you get it? And just spend a moment or like—you're kind of just glance over there and then you notice.
Matt Brewbaker: It just rise then you know—
Matt Brewbaker: --double take and you get it out there really friendly.
Matt Brewbaker: Even though you got to—you probably don’t mean it.
Matt Brewbaker: And this is going to funny into you.
Matt Brewbaker: You put like, “Hey, you want to them off.” All right
Matt Brewbaker: And when you’re done go in this and you know a lot better you’re going to that. You do that walk and like basically—you know you called her like you’ve call and you got to say, “Hey, this is good—
Matt Brewbaker: --but like she’s talk that shocking.
Matt Brewbaker: Roll please.
Matt Brewbaker: And just whenever you're ready.
Paris: Who’s that? Hey, you get out of here! Get off my property now. What are you doing stalking older ladies? If you don’t leave right now, I’m going to call the cops. Shouldn’t you be in school or something?
Wency! Hi, how are you? Uh huh, that’s great. Oh, you’re something where? Oh, yeah! Yeah! I love that place. You know me, shop ‘til I drop
Andrew Cholerton: Okay cut!
You don’t think about that. I think about what roles to give her, if should turn some—he’s working now. Yeah, do you believe it or yeah like all people is obvious. It’s getting like. This is a Zombieville.
Stephen Ho: This is very—
Elizabeth Bassin: Oh, man we have such a problem working on the set.
Andrew Cholerton: Wait, what do you see?
Elizabeth Bassin: At least I’ll be the only one not looking dead.
Andrew Cholerton: All of you, you know.
Andrew Cholerton: Think of it this way, counter of over your head.
Andrew Cholerton: All of the female zombies like, men. Okay! So—
Elizabeth Bassin: Cat fight.
Andrew Cholerton: What?
Elizabeth Bassin: A cat fight between the— and the dead zombie girls.
Andrew Cholerton: What’s that absurd the zombies?
Andrew Cholerton: There’s a cat fight and like—
Elizabeth Bassin: Isn’t that funny. Oh, my god.
Andrew Cholerton: That’s funny actually. Came like this is there’s just a zombie girl there something that you can click on body parts and we click over enough and they fall off. “Oh, my guy they’re at my arm.”
Elizabeth Bassin: You’re going to pay for a manicure.
Andrew Cholerton: Oh, really. That will be fine actually of this. Then we have further more auditions but then what time can expect those three chosen, when we do this? Well, how long the thing on the—
Matt Brewbaker: We told people the beginning of next week. So I need time to review the footage. I’ll probably have an idea of who I want on Monday.
Andrew Cholerton: Yeah. I know what you supposed you—