Authentic voices. Remarkable stories. AOL On Originals showcase the passions that make the world a more interesting place.
Go behind the scenes with some of the biggest digital celebrities to see what life is like when the blogging and tweeting stops.
The story of punk rock singer Laura Jane Grace of Against Me! who came out as a woman in 2012, and other members of the trans community whose experiences are woefully underrepresented and misunderstood in the media.
Documentary shorts conceived of and directed by famous actors. Jeff Garlin, Katie Holmes, Alia Shawkat, Judy Greer, and James Purefoy
Park Bench is a new kind of "talking show" straight from the mind of born and bred New Yorker and host, Steve Buscemi.
Digital influencer Justine Ezarik (iJustine) is back. After covering the world of wearable tech last season, iJustine is expanding her coverage this year by profiling the hottest tech trends across the country.
A 12 episode documentary series following 5 startup companies competing in the 2013 San Francisco TechCrunch Disrupt Startup Battlefield as they fine tune their products and eventually present in front of a panel of judges in hopes of winning $50,000 in funding.
Enter the graceful but competitive world of ballet through the eyes of executive producer, Sarah Jessica Parker. This behind-the-scenes docudrama reveals what it takes to perform on the ultimate stage, the New York City Ballet. Catch NYCB on stage at Lincoln Center.
Nicole Richie brings her unfiltered sense of humor and unique perspective to life in a new series based on her irreverent twitter feed. The show follows the outspoken celebrity as she shares her perspective on style, parenting, relationships and her journey to adulthood.
Explore what it means to be human as we rush head first into the future through the eyes, creativity, and mind of Tiffany Shlain, acclaimed filmmaker and speaker, founder of The Webby Awards, mother, constant pusher of boundaries and one of Newsweek’s “women shaping the 21st Century.”
Gwyneth Paltrow and Tracy Anderson spend time with women who've overcome hardship, injury, and setbacks to triumph in the face of adversity.
Hank Azaria’s touching, humorous, and often enlightening journey from a man who is not even sure he wants to have kids, to a father going through the joys, trials and tribulations of being a dad.
ACTING DISRUPTIVE takes viewers inside the businesses and passion projects of Hollywood’s top celebrities.
Now the best and most common tool for crapping and straightening an image in all of Photoshop has always been and continues to be the crap tool. But before I have you select it, I want you to open up this image here. It is called crookedscan.jpeg, and it is inside the Lesson 5 folder, which is inside the Part 1 folder, which is inside the Project Files folder that you installed from the DVD included with the series onto your hard drive.
And, this is actually and old scan of my self and my sister couple of days ago, actually years and years ago. And it is at something of an angle, do not know if you can make that out, and it is also of course got all these black stuff around the edge. We need to get rid of all that junk and straight it, make it reasonably decent.
So, I am going to go get the crap tool here inside the toolbox. It is a third tool down on the left hand side. Or, you can press the C key, C for Crap and it turns out inside Photoshop, you can select all of the tools from the keyboard just by pressing alphabetic keys. As well see, all of them are taken.
Anyway, get the crap tool. Here is how you use this tool. Just start by dragging around the portion of the image that you want to keep. Now, that is kind of a difficult thing to decide at this point since it is like well, no matter what, I cannot make this completely cat - a - wompos thing fit inside of a rectangle. Do not worry about it too much. I will point out that as your dragging, notice that you are scaling the crap boundary as you drag. I have yet to release my mouse button.
As you are dragging, you can press the Spacebar. If you press and hold the Spacebar while your mouse button is down, you can move the crap boundary to a different location on the fly, is soon as you release the Spacebar, I still have my mouse button down and drag some more, you will see you will return to scaling the crap boundaries, so that is just little trick to keep in mind when you are using this tool.
Not essential because you could always scale this tool after the fact, after you release. Okay, so here is what you do. Just drag anything. Does not matter what you are dragging. Does not matter how big you make this mark key because no matter what, it is not going to fit. So just go ahead and drag it to some sort of size here and release.
Now, what we are seeing right now is this boundary. Everything inside the boundary will be kept. Everything outside the boundary will go away.
Now, I want to be able to read what is outside the boundary a little better. Currently, it is covered up with this shield. Notice, there is a shield turned on, the shield option here in the Option’s bar. If I turn in off, things sort to brighten up outside this mark key, but it is very subtle. I will turn it back on. You will see it sort of darkens up there, and that is because the color that you use as the shield is black.
Well, this area outside the slide is completely black which happens with slide scanners. When the light shines through the slide, you can see the colors, but it cannot shine through this opaque area outside the slide so that appears black.
So, we got black on black going right now. That is no good. So, click on the black color swatch. They are in the Options Bar and what I would like you to do is change it to some other color, really does not matter. I am just going to click in this blue portion of the spectrum. This is inside color picker dialog box. The spectrum here in the middle of the dialog box represents all the colors in a rainbow, all the hues to be more accurate. And then we will see the square that is full of different saturation levels, different brightness levels and so on. I am just going to click a little higher so that we get this nice rich blue. Now, we can see the shield pretty nicely, maybe a little bit too much, but that is okay.
I will go ahead and click Okay to accept my change, and then, I will reduce my opacity value. This determines how opaque the shield outside the crap boundary is. I will click on the right pointing arrow head to bring up the slider bar, and I w