Authentic voices. Remarkable stories. AOL On Originals showcase the passions that make the world a more interesting place.
Go behind the scenes with some of the biggest digital celebrities to see what life is like when the blogging and tweeting stops.
The story of punk rock singer Laura Jane Grace of Against Me! who came out as a woman in 2012, and other members of the trans community whose experiences are woefully underrepresented and misunderstood in the media.
Documentary shorts conceived of and directed by famous actors. Jeff Garlin, Katie Holmes, Alia Shawkat, Judy Greer, and James Purefoy
Park Bench is a new kind of "talking show" straight from the mind of born and bred New Yorker and host, Steve Buscemi.
Digital influencer Justine Ezarik (iJustine) is back. After covering the world of wearable tech last season, iJustine is expanding her coverage this year by profiling the hottest tech trends across the country.
A 12 episode documentary series following 5 startup companies competing in the 2013 San Francisco TechCrunch Disrupt Startup Battlefield as they fine tune their products and eventually present in front of a panel of judges in hopes of winning $50,000 in funding.
Enter the graceful but competitive world of ballet through the eyes of executive producer, Sarah Jessica Parker. This behind-the-scenes docudrama reveals what it takes to perform on the ultimate stage, the New York City Ballet. Catch NYCB on stage at Lincoln Center.
Nicole Richie brings her unfiltered sense of humor and unique perspective to life in a new series based on her irreverent twitter feed. The show follows the outspoken celebrity as she shares her perspective on style, parenting, relationships and her journey to adulthood.
Explore what it means to be human as we rush head first into the future through the eyes, creativity, and mind of Tiffany Shlain, acclaimed filmmaker and speaker, founder of The Webby Awards, mother, constant pusher of boundaries and one of Newsweek’s “women shaping the 21st Century.”
Gwyneth Paltrow and Tracy Anderson spend time with women who've overcome hardship, injury, and setbacks to triumph in the face of adversity.
Hank Azaria’s touching, humorous, and often enlightening journey from a man who is not even sure he wants to have kids, to a father going through the joys, trials and tribulations of being a dad.
ACTING DISRUPTIVE takes viewers inside the businesses and passion projects of Hollywood’s top celebrities.
Now, notice what we have to work with here. We have more yellow, more green, more cyan, more blue, more magenta, and more red. Everything is expressed in terms of more, more, more. There is no less icons and there is like no oranges, there is no violets, there is no purples, there is no indigos. So, you may say here and wonder why is it always more, more, more with this dialog box. And why did they pick these specific colors. Well, I will answer second question first. The reason that they picked these specific colors is because in the big color wheel, these are equidistant colors. So, if you imagine that the color wheel is 360 degrees, which it would be of course, circle is measured in 360 degrees. Then each one of these is 60 from the next along that circle.
Actually if we were to really talk about the colors in a rainbow, these would be them. They would be red, yellow, green, cyan, blue and magenta. That is the truth. And also, if you think about the RGB versus the CMY case scenario, the screen versus the print scenario, we have got the red, green, and blue in this triangle. And then we got opposite it, cyan, magenta and yellow, the three primary colors of print. Black is the fourth color and that is the key color. We will go into that later when we talk about printing from Photoshop.
But for now, just a brief introduction into color theory. So, these are actually the six points along the color rainbow. Now, why always more and not less? Well, because the colors are they are own lesses. Everyone of that mores is a less for something else. For example, more red is the same as less cyan. So, as you add red, you also subtract the opposite cyan. As you add yellow, you are also subtracting the opposite blue. And as you add green you are also subtracting the opposite magenta and so on.
That also works in terms of backing up. So, for example, let us say I have gone a little bit too red in this case I dare say. Then I would back it off by clicking more cyan. And I am actually undoing the more reds by doing this because I am working inside this dialog box. I am actually gone and applied anything to the original image. This is a direct opposite.