Authentic voices. Remarkable stories. AOL On Originals showcase the passions that make the world a more interesting place.
Connected features the personal stories of six New Yorkers woven together into one of the most intimate series ever. This groundbreaking show changes the nature of storytelling by giving each character a camera to document their lives. The result is a unique format revealing as different as everyone appears to be, we are all universally Connected.
Wake up to your world in 2 minutes.
Jews and Money. Asian Drivers. Polish IQ. CPT… that's racist! But where do these stereotypes come from? Comedian Mike Epps explores the backstories of this humor and how history and fact often distorts into a snide – but sometimes funny – shorthand.
"INSPIRED" features celebrities, visionaries and some of the biggest newsmakers of our generation, recounting the stories behind their biggest, life-changing moments of inspiration.
In a compelling series of verite encounters, Win Win provides unique access into the minds and lives of the world’s most-celebrated entrepreneurs and athletes.
Explore what it means to be human as we rush head first into the future through the eyes, creativity, and mind of Tiffany Shlain, acclaimed filmmaker and speaker, founder of The Webby Awards, mother, constant pusher of boundaries and one of Newsweek’s “women shaping the 21st Century.”
Nicole Richie brings her unfiltered sense of humor and unique perspective to life in a new series based on her irreverent twitter feed. The show follows the outspoken celebrity as she shares her perspective on style, parenting, relationships and her journey to adulthood.
Comedy is hard, but teaching comedy to children is hilariously difficult. Kevin Nealon is giving the challenge to some world-famous comedians. As these young minds meet with comedy’s best, get ready to learn some valuable comedy lessons, and to laugh!
James Franco loves movies. He loves watching them, acting in them, directing them, and even writing them. And now, he’s going to take some of his favorite movie scenes from the most famous films of all time, and re-imagine them in ways that only James can.
The story of punk rock singer Laura Jane Grace of Against Me! who came out as a woman in 2012, and other members of the trans community whose experiences are woefully underrepresented and misunderstood in the media.
Executive produced by Zoe Saldana (who will be the subject of one episode), a celebrity travels back to their hometown to pay tribute to the one person from their past (before they were famous) who helped change their life by giving them an over-the-top, heart-felt surprise.
Enter the graceful but competitive world of ballet through the eyes of executive producer, Sarah Jessica Parker. This behind-the-scenes docudrama reveals what it takes to perform on the ultimate stage, the New York City Ballet. Catch NYCB on stage at Lincoln Center.
Park Bench is a new kind of "talking show" straight from the mind of born and bred New Yorker and host, Steve Buscemi.
So, let us go back up to the Pages palette for a second. Now, you can see, we are currently viewing page 5. We have two double-paged spreads here and one cover page, one single right-facing page.
Now, we are working inside the Facing Pages document. We know that because that is how it was set inside of our preset and also it is shown by this line that appears here inside the Pages palette. This is basically, the spine of the document. So every page is either left or right based around the spine. Currently, if we decided that we wanted to remove a certain page and what we actually do here is to remove page 1. The reason for that is every page we are going to work on is going to be a spread and based on the paper dummy that I showed you in the introduction to this lesson. We are going to have the cover as a separate document, meaning that page 1 here is actually useless. We want to keep the inside cover as to where page 2 is now and then the first page of document will be this one here, page 3, the first right-facing page.
Well, in InDesign, if we took one of these pages and deleted, it can actually upset the flow of all of these pages because they are sort of tied to the spine. The way to do that, and in this case only, it is not going to apply for every time you work in InDesign, because 9 times out of 10, you will be working on specific right-facing pages to start with and everything else follows on from there, but in instances like this, what you can do is come to the fly out menu here on the side of the palette, go down and turn off this option that says “Allow Pages to Shuffle”. That means if we disable, any changes made to one of these pages by removing it does not tell this left-hand page to all of a sudden assume the original right-hand page position. So, what we can do now is take the icon for page 1 here and simply drag it over here into the trash inside the Pages palette, you will see pages 1 and 2 are not set numerically, but page 1 is still a left-hand page. So we have not lost any of our overall lay out here. If we go to page 1 and look at it, we can still see the original three column layout, page 2 to the side of it still has the two column layouts. So, nothing has shifted overall, we simply given ourselves the ability to add and delete pages at will without upsetting the flow of any of the spreads we have done so far. So, very important little option to bear in mind just top the way up there inside the Pages palette. So do remember to turn that one off in this particular instance.