Authentic voices. Remarkable stories. AOL On Originals showcase the passions that make the world a more interesting place.
Journey to the Draft is an organic, unscripted, docu-series that follows three college football players, all with promising professional careers. These young men attend different schools across the country and play a variety of positions on the field, but at the end of the day they share one goal:to play in the NFL. The AOL docu-series follows players Leonard Williams, Kevin White and Marcus Peters.
Connected features the personal stories of six New Yorkers woven together into one of the most intimate series ever. This groundbreaking show changes the nature of storytelling by giving each character a camera to document their lives. The result is a unique format revealing as different as everyone appears to be, we are all universally Connected.
Wake up to your world in 2 minutes.
Jews and Money. Asian Drivers. Polish IQ. CPT… that's racist! But where do these stereotypes come from? Comedian Mike Epps explores the backstories of this humor and how history and fact often distorts into a snide – but sometimes funny – shorthand.
"INSPIRED" features celebrities, visionaries and some of the biggest newsmakers of our generation, recounting the stories behind their biggest, life-changing moments of inspiration.
In a compelling series of verite encounters, Win Win provides unique access into the minds and lives of the world’s most-celebrated entrepreneurs and athletes.
Explore what it means to be human as we rush head first into the future through the eyes, creativity, and mind of Tiffany Shlain, acclaimed filmmaker and speaker, founder of The Webby Awards, mother, constant pusher of boundaries and one of Newsweek’s “women shaping the 21st Century.”
Nicole Richie brings her unfiltered sense of humor and unique perspective to life in a new series based on her irreverent twitter feed. The show follows the outspoken celebrity as she shares her perspective on style, parenting, relationships and her journey to adulthood.
Comedy is hard, but teaching comedy to children is hilariously difficult. Kevin Nealon is giving the challenge to some world-famous comedians. As these young minds meet with comedy’s best, get ready to learn some valuable comedy lessons, and to laugh!
James Franco loves movies. He loves watching them, acting in them, directing them, and even writing them. And now, he’s going to take some of his favorite movie scenes from the most famous films of all time, and re-imagine them in ways that only James can.
The story of punk rock singer Laura Jane Grace of Against Me! who came out as a woman in 2012, and other members of the trans community whose experiences are woefully underrepresented and misunderstood in the media.
Executive produced by Zoe Saldana (who will be the subject of one episode), a celebrity travels back to their hometown to pay tribute to the one person from their past (before they were famous) who helped change their life by giving them an over-the-top, heart-felt surprise.
Enter the graceful but competitive world of ballet through the eyes of executive producer, Sarah Jessica Parker. This behind-the-scenes docudrama reveals what it takes to perform on the ultimate stage, the New York City Ballet. Catch NYCB on stage at Lincoln Center.
So let us come down to that layers palette and make sure that the Tints and Bars layer is available turn if it lock because we are going to draw a new frame on here, comeback up to the tools and choose the rectangle tool, just come over here to scroll across a little way and again I am just going to draw a frame that a lines with this top hand guide just click and drag to make sure it snaps and then once we let it go we can hit the VK to go back to the main selection tool. Now I am just going to take a left hand point here let us drag it over so it is snap onto the red outside line and do not forget that our blend. So we guaranteeing here that is color frame no matter what is in or past it is going to give us a 5 mm of bled off the side if you do hit the W key and turn on preview mode at this point and you will see that those 5 mm will be trim down when the document is printed to a very neatly done. Let us hit the W key again to go out of preview mode and what we are going to do is just change the weight of this frames so it goes across the entire spread to keep going across until the document scrolls all the way to the right hand side ad snap it into that right hand bled margin as will or we can undo is her inside the control palette double checking that the angle point is set to any one of the upper three values of upper left is find let us change the height of this to just 40 mm. I had recently doing that it gives us nice even spacing we have actually got 20 mm here we are going to give ourselves another ten before we drop in a text frame the text frame will be about 20 mm high leaving another ten underneath. Because e have ten in here also if we rich the margin we are going get a very nice and neat layout design here for a type. So let us scroll all the way back over to the left hand side. Just like we did on the first page we have solid box that was solid black and we decided to drop it down to around 20%. Let us come back down to the color palette briefly there is a fill color once again let us drag it down to around about 20% that does not have to be accurate at this point, it is just a color reference and in come back over to the layers pallet and make sure that this layer is now locked.
Now the reason we are doing that if just unlock it again or a second and this time hit the T key which gives us he type tool another little shortcut. If we were to then decide to draw a new text frame over the top of this one, remember that if we position our cursor right of it and it becomes rounded we can accidently turn that box into a text frame. We want to avoid that. So y locking out he bars layers here and going to the type layer positioning that cursor over that button now will generate a new frame anyway. So let us go ahead and draw a new text frame that takes up just the first column with once again, click and drag so it snaps in to the margins, once it is done let us go back to the main selection too make a couple of quick changes. The height of this is going to be exactly 20 mm. Remember to hit return or and to apply that and of the weight access let us again make that nice and neat by specifying it to be a 30 mm down. So we have this perfect 10 mm space all the way around between this and where the next one more set. Now to duplicate this one, we an do exactly the same as before by holding down the alt key of the option key dragging and then holding down the shift key to keep it straight now when we drop into that second frame once you have let go the mouse and then let go the keys, give this a try. Press control D to do a duplicate command and we now have a new feature of InDesigns CS2 which is the ability to step and repeat a command base on the previous values that we have done. In this case, moving the object base on the overall values of our columns here so we could at this point if we wanted to not the way guarantee to use it we could scroll across and say control D again and again and again and you will see we will continue to duplicate those frames base on exactly that 10 mm gap. Unless you use undo those last three so we end up with the original free text frames and then hold down the shift key and select the second and the first one together then just go back to the alt key on its own once again start to drag one of those frames when you start he dragging hold down the shifty come all the way across to that first one snaps into the first margin here on the right hand page. We now have six text frames ready to fill with type.